I read this passage in Gadamer’s Truth and Method during my family’s adventure in New York:

The representation of the whole in the momentary Erlebnis obviously goes far beyond the fact of its being determined by its object. Every experience is, in Schleiermacher’s words, “an element of infinite life.” Georg Simmel, who was largely responsible for the word Erlebnis becoming so fashionable, considers the important thing about the concept of experience as this: “the objective not only becomes an image and idea, as in knowing, but an element in the life process itself.” He even says that every experience has something of an adventure about it. But what is an adventure? An adventure is by no means just an episode. Episodes are a succession of details which have no inner coherence and for that very reason have no permanent significance. An adventure, however, interrupts the customary course of events, but is positively and significantly related to the context which it interrupts. Thus an adventure lets life be felt as a whole, in its breadth and in its strength. Here lies the fascination of an adventure. It removes the conditions and obligations of everyday life. It ventures out into the uncertain.

But at the same time it knows that, as an adventure, it is exceptional and thus remains related to the return of the everyday, into which the adventure cannot be taken. Thus the adventure is “undergone,” like a test or trial from which one emerges enriched and more mature.

There is an element of this, in fact, in every Erlebnis. Every experience is taken out of the continuity of life and at the same time related to the whole of one’s life. It is not simply that an experience remains vital only as long as it has not been fully integrated into the context of one’s life consciousness, but the very way it is “preserved and dissolved” (aufgehoben) by being worked into the whole of life consciousness goes far beyond any “significance” it might be thought to have. Because it is itself within the whole of life, the whole of life is present in it too.

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Popular fiction is episode. Literature is adventure.

Fact is episode. Insight is adventure.

Most vacations are episodes, and that’s why I’ve always despised them.