I am having problems getting through this chapter of Gadamer’s Truth and Method, “Prejudices as Conditions of Understanding”. This is one of those chapters where I’ve underlined and starred the margins of 85% of the text. Every paragraph presents a mind-blowing insight, which means I’m immediately compelled to apply that insight to a million problems outside of the book, which means I stop reading. (This is my personal test of a book’s awesomeness: Does the book fling me out of its pages into life?)
It’s always interesting to reread the same physical book, and to see how my own patterns of underling has shifted. This chapter was practically clean from the last reading, which I guess means I didn’t find it all that exciting. It is tangible proof of progress, or at least change.
The following passage may not make a lot of sense outside the context of the book, but I want to post it anyway.
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That subsequent understanding is superior to the original production and hence can be described as superior understanding does not depend so much on the conscious realization that places the interpreter on the same level as the author (as Schleiermacher said) but instead denotes an insuperable difference between the interpreter and the author that is created by historical distance. Every age has to understand a transmitted text in its own way, for the text belongs to the whole tradition whose content interests the age and in which it seeks to understand itself. The real meaning of a text, as it speaks to the interpreter, does not depend on the contingencies of the author and his original audience. It certainly is not identical with them, for it is always co-determined also by the historical situation of the interpreter and hence by the totality of the objective course of history. … . Not just occasionally but always, the meaning of a text goes beyond its author. That is why understanding is not merely a reproductive but always a productive activity as well. Perhaps it is not correct to refer to this productive element in understanding as “better understanding.” For this phrase is, as we have shown, a principle of criticism taken from the Enlightenment and revised on the basis of the aesthetics of genius. Understanding is not, in fact, understanding better, either in the sense of superior knowledge of the subject because of clearer ideas or in the sense of fundamental superiority of conscious over unconscious production. It is enough to say that we understand in a different way, if we understand at all. [Note: This is why in active listening, the understander must not repeat back or synonymically paraphrase back what one has heard, but must interpret and apply what one has heard and submit this interpretive application to the judgment of the understood, aka validate it.]
Such a conception of understanding breaks right through the circle drawn by romantic hermeneutics. Since we are now concerned not with individuality and what it thinks but with the truth of what is said, a text is not understood as a mere expression of life but is taken seriously in its claim to truth. That this is what is meant by “understanding” was once self-evident (we need only recall Chladenius). But this dimension of the hermeneutical problem was discredited by historical consciousness and the psychological turn that Schleiermacher gave to hermeneutics, and could only be regained when the aporias of historicism came to light and led finally to the fundamentally new development to which Heidegger, in my view, gave the decisive impetus. For the hermeneutic productivity of temporal distance could be understood only when Heidegger gave understanding an ontological orientation by interpreting it as an “existential” and when he interpreted Dasein’s mode of being in terms of time.
Time is no longer primarily a gulf to be bridged because it separates; it is actually the supportive ground of the course of events in which the present is rooted. Hence temporal distance is not something that must be overcome. This was, rather, the naive assumption of historicism, namely that we must transpose ourselves into the spirit of the age, think with its ideas and its thoughts, not with our own, and thus advance toward historical objectivity. In fact the important thing is to recognize temporal distance as a positive and productive condition enabling understanding. It is not a yawning abyss but is filled with the continuity of custom and tradition, in the light of which everything handed down presents itself to us. Here it is not too much to speak of the genuine productivity of the course of events. Everyone is familiar with the curious impotence of our judgment where temporal distance has not given us sure criteria. Thus the judgment of contemporary works of art is desperately uncertain for the scholarly consciousness. Obviously we approach such creations with unverifiable prejudices, presuppositions that have too great an influence over us for us to know about them; these can give contemporary creations an extra resonance that does not correspond to their true content and significance. Only when all their relations to the present time have faded away can their real nature appear, so that the understanding of what is said in them can claim to be authoritative and universal.
In historical studies this experience has led to the idea that objective knowledge can be achieved only if there has been a certain historical distance. It is true that what a thing has to say, its intrinsic content, first appears only after it is divorced from the fleeting circumstances that gave rise to it. The positive conditions of historical understanding include the relative closure of a historical event, which allows us to view it as a whole, and its distance from contemporary opinions concerning its import. [Note: This reminds me of a Rilke quote I’ve posted a million times before, which I will post again below.] The implicit presupposition of historical method, then, is that the permanent significance of something can first be known objectively only when it belongs to a closed context — in other words, when it is dead enough to have only historical interest. Only then does it seem possible to exclude the subjective involvement of the observer. … It is true that certain hermeneutic requirements are automatically fulfilled when a historical context has come to be of only historical interest. Certain sources of error are automatically excluded. But it is questionable whether this is the end of the hermeneutical problem. Temporal distance obviously means something other than the extinction of our interest in the object. It lets the true meaning of the object emerge fully. But the discovery of the true meaning of a text or a work of art is never finished; it is in fact an infinite process. Not only are fresh sources of error constantly excluded, so that all kinds of things are filtered out that obscure the true meaning; but new sources of understanding are continually emerging that reveal unsuspected elements of meaning. The temporal distance that performs the filtering process is not fixed, but is itself undergoing constant movement and extension. And along with the negative side of the filtering process brought about by temporal distance there is also the positive side, namely the value it has for understanding. It not only lets local and limited prejudices die away, but allows those that bring about genuine understanding to emerge clearly as such.
Often temporal distance can solve question of critique in hermeneutics, namely how to distinguish the true prejudices, by which we understand, from the false ones, by which we misunderstand. Hence the hermeneutically trained mind will also include historical consciousness. It will make conscious the prejudices governing our own understanding, so that the text, as another’s meaning, can be isolated and valued on its own. Foregrounding a prejudice clearly requires suspending its validity for us. For as long as our mind is influenced by a prejudice, we do not consider it a judgment. How then can we foreground it? It is impossible to make ourselves aware of a prejudice while it is constantly operating unnoticed, but only when it is, so to speak, provoked. The encounter with a traditionary text can provide this provocation. For what leads to understanding must be something that has already asserted itself in its own separate validity. Understanding begins, as we have already said above, when something addresses us. This is the first condition of hermeneutics. We now know what this requires, namely the fundamental suspension of our own prejudices. But all suspension of judgments and hence, a fortiori, of prejudices, has the logical structure of a question.
The essence of the question is to open up possibilities and keep them open. If a prejudice becomes questionable in view of what another person or a text says to us, this does not mean that it is simply set aside and the text or the other person accepted as valid in its place. Rather, historical objectivism shows its naivete in accepting this disregarding of ourselves as what actually happens. In fact our own prejudice is properly brought into play by being put at risk. Only by being given full play is it able to experience the other’s claim to truth and make it possible for him to have full play himself.
The naivete of so-called historicism consists in the fact that it does not undertake this reflection, and in trusting to the fact that its procedure is methodical, it forgets its own historicity. We must here appeal from a badly understood historical thinking to one that can better perform the task of understanding. Real historical thinking must take account of its own historicity. Only then will it cease to chase the phantom of a historical object that is the object of progressive research, and learn to view the object as the counterpart of itself and hence understand both. The true historical object is not an object at all, but the unity of the one and the other, a relationship that constitutes both the reality of history and the reality of historical understanding. [Note: The past is a Thou!] A hermeneutics adequate to the subject matter would have to demonstrate the reality and efficacy of history within understanding itself. I shall refer to this as “history of effect.” Understanding is, essentially, a historically effected event.
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Rilke: “A merging of two people is an impossibility; and where it seems to exist, it is a hemming-in, a mutual consent that robs one party or both parties of their fullest freedom and development. But once the realization is accepted that even between the closest human beings infinite distances continue to exist, a wonderful living side by side can grow up, if they succeed in loving the distance between them which makes it possible for each to see each other whole against the sky.”