I’ve gotten sucked into Tim Morton’s Hyperobjects. I was reading Kaufmann’s book on Hegel, but after sampling few pages of this book on the recommendation of a friend Morton’s book felt “next”.

A few random notes:

This territory, settled first by Actor-Network Theory (ANT) and developed further by Speculative Realism, truly feels like where the philosophical action is. It is pro-science but anti-scientism, which matters quite a lot, given the left’s metastasis into an aggressively intensifying and spreading scientistic fundamentalism. It is built on the Pragmatist platform, as all good contemporary thinking is. It addresses our basic moral impulses along with our conceptions, and who cares about whatever doesn’t? This movement is for thinking folks beyond the academy. I have come to loathe the odor of papers meant to goose an academic’s scorecard. Back in the day I designed the interface for a system for capturing academic accomplishments for evaluation, so I know what drives ambitious edu professionals. Whoever let the MBAs into the dean’s office deserves to be shot.

This book definitely fits in the Object-Oriented Ontology (OOO) genre. As a genre, OOO seems not only influenced by, but highly derivative of ANT, and especially Latour, in its delight in dizzyingly heterogeneous lists designed to inflict ontological whiplash, and its ironic oscillations between light whimsy and the heaviest dread. I am writing this post from Paris, and I have to wonder if this literary texture doesn’t have something to do with Latour’s Frenchness. If there is one thing the French are not, it is streamlined. OOO is an unstreamlined genre. OOO profuses.

I’m struggling for a style for my 4-page pamphlet, so I’m a little genre-sensitized right now. I crave severe streamlining, to the point of geometry. The reason for is that I want to provide a minimal skeleton or scaffolding for thoughts, not the thoughts themselves. Now, that I’m writing this, maybe my genre is the genre of design brief. This is consistent with one of my core themes, that philosophy is a species of design. If this is true, and I am no longer inclined to doubt this background faith or its implications, wouldn’t this kind of design, like all others, benefit from a design brief? Design is directed by an intuited problem. Normally a problem is implicitly and instinctually felt by isolated individuals (as inspiration), or no problem is felt (as feeling uninspired). If framed explicitly as a brief, inspiration is socialized and made available to groups of collaborators. Briefs themselves are designed things, and my favorite kind of design is brief design. (By the way, a couple of months ago I developed a simple method for co-designing briefs that feels extremely promising, and I need to write about that. Note to self.) I think this pamphlet might be a universal design brief for designing design briefs. Yeah, you know I’ll stack me some metas. This insight may be a breakthrough, or a yerba mate overdose, or both.

Another thing I’m noticing that I like about OOO is their metaphysical surveying work seems right on. The property lines they’ve drawn between being and alterity, knowledge and reality are very close to my own. The only conception of religion that has ever made sense to me is the cultivation of relationship between knowing self and the barely-known reality of which self is part. Speculative Realism seems built on this well-surveyed property, each herm in its proper place.

And if I am not mistaken, according to this survey, transcendental and transcendent are diametric opposites. In understanding, the transcendental is what we bring to the table of knowledge, and the transcendent is what not-we brings.