I’ve used the word “natural” to four very different ways, and each is defined against a different opposite. These are each

The first two are the boring obvious ones.

• Natural versus manmade. Is it from the wilderness, or is it from our own hands?

• Natural versus supernatural. Does it obey the laws of nature, or does it follow the laws of something or someone beyond nature? Note: I understand there are less vulgar notions of supernatural, but for the present purposes, let’s use the vulgar sense.

The second two (to me, anyway) are more interesting.

• Natural versus unnatural. Does something subjectively feel as though it spontaneously participates in nature or does it seem alienated from it and at odds with it? This could be subdivided into any number of categories, depending on the perceived location of the unnaturalness. For example, it could be one’s own self (“this action feels unnatural”) or in a perceived or conceived object (“that light looks unnatural”).
• Natural versus phenomenological. Am I regarding some phenomenon in solely terms of the object given to my perception or conception, or am I understanding the phenomenon also as a subjective act of perceiving or conceiving some given object? And I will always add: and if conceived differently, will reveal a different given object.

These latter two are at the heart of my philosophical design work.

Can phenomenological freedom be used skillfully to suspend one natural way of perceiving in order to reconceive reality (or nature, if you prefer) in another way — a way that is shockingly unfamiliar, yet just as natural as the old one. A new comprehensive praxic gestalt clicks into place, replacing the old “everything” gestalt.

This is a non-supernatural account of metanoia, and it suggests that philosophies rooted in phenomenological reflective practice can be a kind of genuine religious practice. If one is willing to pay the necessary exorbitant price, one can radically reconfigure one’s own subjectivity, objectivity and subject-object relations.

For a long time I was planning to call my perpetually unwritten book on this subject Second-Natural. I was also playing with another title The Ten Thousand Everythings.

Now I am leaning toward calling it Enworldment.