Reading the writing of designers is almost always excruciatingly tedious and needlessly complicated.

It appears to occur to very few designers that they should design their concepts and then the communication of their concepts.

Also, I suspect the field is hobbled by its allegiance to the popular philosophy of professional class, which is alienated and alienating, and conceals both its meaning and vapidity under ungainly gowns of academic lingo.

My instinct is not to respond to design scholarship and professional writing, but rather to disregard it all and replace it with something simpler, more practical and attractive.