Category Archives: Biography

Publication of Geometric Meditations

I am sending Geometric Meditations to the printer this weekend. I have continued to tweak the layout in vanishingly minuscule ways. Just about every word, every punctuation mark and every line break has been inspected, varied, experimented with, obsessed over.

I am posting what I think will be the final version which will be printed. If anyone happens to look at it and finds a mistake or flaw, please alert me. I know it cannot be perfect, but I’m pushing it as far in that direction as I can.

Once Susan gives it the last pass on Saturday and approves it, I am bundling it up and sending it off. I’m told the printing takes about fifteen days. After that, I will be hand-sewing each copy, and giving them to the people who participated in the development of the concepts and the design of the book.

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Dealing with offense

My process for dealing with offense:

  1. Allow myself to be angry. (Not that I have an alternative.)
  2. Harness the anger to analyze the offensive behavior and identify the essential personal offense (precisely what is bothering me).
  3. Depersonalize and expand the applicability of the essential personal offense by abstracting from it a more universal principle of offense (something that would bother most reasonable people).
  4. Assuming I’ve committed the same or an analogous offense against others, dig through my memories of times people have been upset with me, in search of cases where I can accuse myself of the same offense.
  5. Using my own memory of my experience and true intentions, defend myself against my self-accusations.
  6. Returning to the present offense, apply the same defense to the person who has offended me.
  7. Look for opportunities to reconcile with other people, because mutual reconciliation is the only thing that definitively repairs damage. (Insights only diminish symptomatic pain.)
  8. Remember principles and defenses for future similar offenses, to avoid unintentionally offending others and taking lasting offense at other’s actions.

Generally, this approach reduces pain, partially or completely repairs damage and produces valuable insights. It also helps prevent compulsively repeating thoughts from metastasizing into philosophies of resentment.

Discussion Salon rules

A Discussion Salon is a structured discussion designed to produce substantial conversations. It goes like this: everyone brings short passages on some theme determined ahead of time. Participants take turns reading passages, and the group converses on that theme.  Susan and I did our first one back in 2000, and we’ve been doing them sporadically since then.

Here are the rules in case you want to do one:

  • The purpose of the Salon is to generate dialogue. We want to make it possible to express ideas that cannot be expressed in normal, everyday conversation.
  • Quotes will be used to seed dialogue.
  • Please come to the Salon with one quote that is connected with the theme of the event.
  • Quotes play a central role in the Salon, but the purpose of the Salon is not sharing quotes. They are a means to stimulate dialogue. Dialogue should not be cut off or rushed in order to give everyone their turn to read. Not all quotes will be read.
  • This is an intellectual safe zone. No opinion is prohibited. The only rule is respect. If you find an idea offensive, please challenge it using reason and constrain your emotions and moral passions. Please do not self-censor out of fear of upsetting someone with your ideas. (But again — be respectful!)
  • We want to be sure people are given a chance to finish their thoughts even if the thoughts are complex. Interruptions can be vetoed by the current speaker, signaled by raising their hand.
  • Contributions to the discussion should always address the ideas of the previous speaker. Evolve the subject, don’t change the subject.
  • Dialogue should be kept thematically close to the quotes and should refer back to them explicitly whenever possible.
  • As conversation progresses and develops, new quotes can be introduced to feed the dialogue.
  • If a dialogue comes to an end, we will restart dialogue with a new quote.
  • The Salon has many modes of participation. Some participants will do more listening and others will do more speaking. Nobody should feel pressured to speak if they wish to listen, or to stay silent if they have something to say.

 

Teaching 14

Hannah Arendt taught me that what we call “politics” is in fact the betrayal of politics, and that political life both presupposes and pursues the plurality of persons — (as she put it, it is human beings, not humankind, who live in the world together) — and that if we aspire to be authentically political we must resist indulging that damnable solipsistic urge to reduce our fellow human beings to abstract categories we ourselves have imagined living out grand political dramas we ourselves have scripted, and instead encounter and contend with them as the stubbornly real beings with their own stories, self-conceptions, and worldviews.

Teaching 13

William James taught me the impossibly elegant (and deeply American!) Pragmatic Maxim — which I like to think of as instructions for the Pragmatic Move, which goes like this: when attempting to understand the meaning of an assertion, rather than focus in on the assertion itself, instead expand out the practical consequences (what James crassly called the “cash value”) of the assertion’s truth, and this synthesis will give you the assertion’s meaning much faster and more reliably than analysis can.

Teaching 11

Martin Heidegger taught me the difference between an emotion and a mood — that is, the difference between a feeling toward an object versus a feeling of a totality — and, in particular, that mood called anxiety which is the feeling of nullified totality, a mood toward subjective nothingness — which Heidegger associated with death, but which I see as the mortal response to infinity in any its myriad forms.

Teaching 9

Clifford Geertz helped me see that understanding (or, empathy) is not an act of directly experiencing what another person experiences (which renders understanding impossible, if not essentially absurd), but rather the ability to participate in their symbol system, so that we can understand a proverb, a poem or a joke — or, as I like to add, design something for them that they love with head, hand and heart.

Book

I’ve contacted some letterpress printers about making my pamphlet, which used to be titled The 10,000 Everythings, but has been sobered up into Geometric Meditations, which is a more precise description of how I use the content of the book.

One printer has responded so far, and suggested some changes that seems to have improved it. I looked at the book again this morning, and I am still happy with it, so it must really be ready. There is only one word in the book that I’m not sure about.

I am producing it as a chapbook, sewn together with red thread, signifying both Ariadne’s thread as well as the Kabbalistic custom of typing a red thread around one’s left wrist to protect from the evil eye. Both are intensely relevant to this project. I have to remember how much I use these diagrams to generate understandings and to keep myself oriented. It is the red thread that connects all my thoughts. So the utility and value of the ideas is beyond doubt. It is true that the form does look and sound somewhat pompous, but it is the best (prettiest and most durable) form for these concepts, so I have to ignore my anxiety about scorn and ridicule from folks who know too little or two much (a.k.a. “evil eye”). At least one angle of understanding yields value, and hermeneutical decency requires that it be read from that angle.

I am incredibly nervous about putting this book out there. I am guessing I’ll just box all the copies up and hide them with my Tend the Root posters.