Category Archives: Design

Hope

Autobiography, Design, Enworldment, Love

I spent most of this week at Greenville Memorial Hospital. My dad had a Type A aortic dissection, and had to undergo emergency open heart surgery. So far, he has beaten some terrifyingly slim odds, largely thanks to his heart surgeon, Dr. Bhatia, who worked on him literally all Sunday night through Monday morning, and the incredible nurses and support staff at the CVICU.

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These days it is easy to lapse into pessimism regarding our species.

But it is important to remember that the people who give us this dark impression is a small and specialized segment of the population, who spend their days reading about and writing about one small corner of human experience.

Meanwhile, another, much larger group of people show up to work each day to give care and comfort to a perpetually rotating set of hurting, terrified people. They serve with skill, professionalism, compassion and humor. We don’t often hear their perspectives on things because they are incredibly busy. Their communications are mostly practical and specific and directed to one person or a few.

When I focus on people like this, and recognize them as representative of humanity I feel much, much better about everything.

Philosophy as engineering

Enworldment, Philosophy, Pluricentrism

From William Wimsatt’s Re-Engineering Philosophy for Limited Beings: Piecewise Approximations to Reality:

I seek methodological tools appropriate to well-adapted but limited and error-prone beings. We need a philosophy of science that can be pursued by real people in real situations in real time with the kinds of tools that we actually have-now or in a realistically possible future. This must be a central requirement for any naturalistic account. Thus I oppose not only various eliminativisms, but also overly idealized intentional or rationalistic accounts. In these chapters I advocate an approach that can provide both better descriptions of our activities and normative guidance based on realistic measures of our strengths and limitations. No current philosophy of science does this fully, though increasing numbers are moving in that direction. A philosophy of science for real people means real scientists, real engineers, historians or sociologists of real science and engineering, and real philosophers interested in how any of the preceding people work, think about their practice, think about the natural worlds we all inhabit, and think about what follows reflectively and reflexively from these facts.

This view involves a species of realism, though not of the usual sort. It fits current scientific practice and illuminates historical cases better than other approaches, and it has implications for how to do philosophy. It neither has nor seeks the stark simplicities of current foundationalist theories. This philosophy must be based from top to bottom on heuristic principles of reasoning and practice, but it also seeks a full accounting of other things in our richly populated universe — including the formal approaches we have sought in the past.

This project is a philosophy for messy systems, for the real world, for the “in-between”, and for the variegated ecologies of reality supporting and increasingly bent to our science and technology. Pace Quine, this is ontology for the tropical rainforest. The “piecewise approximations” of the book title is unavoidable: we are, must be, and can be realists in our science and much of our practice. But our realism, like our practice, and even our inferential consistency, must be piecemeal and usually satisfied with a local rather than a global order. We aren’t God and we don’t have a God’s-eye view of the world. (In this piecemeal world, we don’t even have a gods’ eyes view.)

But then the first part of the title is only half-truth: to re-engineer the whole of philosophy in a human image is still ambitiously global. I don’t do all this. I sketch how to do it for significant parts of philosophy of science and closely connected areas of science. This captures new phenomena and reconceptualizes old in ways that fit more naturally with how we proceed. I hope that others find these results sufficiently suggestive to use, extend, and add to the tools I describe here to employ them elsewhere.

“Re-Engineering” appears in the title as a verb: this view of science and nature is constructed largely (as with all creative acts) by taking, modifying, and reassessing what is at hand, and employing it in new contexts, thus re-engineering. Re-engineering is cumulative and is what makes our cumulative cultures possible. And any engineering project must be responsive to real world constraints, thus realism. Our social, cognitive, and cultural ways of being are no less real than the rest of the natural world, and all together leave their marks. But putting our feet firmly in the natural world is not enough. Natural scientists have long privileged the “more fundamental” ends of their scientific hierarchy, and pure science over applied — supposing that (in principle) all knowledge flowed from their end of the investigative enterprise.

Not so: Re-engineering also works as an adjective, and has a deeper methodological role. Theorists and methodologists of the pure sciences have much to learn about their own disciplines from engineering and the study of practice, and from evolutionary biology, the most fundamental of all (re-)engineering disciplines. Our cognitive capabilities and institutions are no less engineered and re-engineered than our biology and technology, both collections of layered kluges and exaptations. We must know what can be learned from this fact about ourselves to better pursue science of any sort.

This is very, very close to my own thinking, that philosophy ought to be understood as a species of design — the design of how we conceive — and judged by how well it does its job of enabling us to communicate and share a common sense of reality, how well it guides effective action and how well it reveals the value of our lives and our world.

These are design goals, not engineering goals, so I must say that on some level I probably disagree with Wimsatt, but I’m a quarrelsome person, and for me disagreement is a feature, not a bug. I suspect I will find much of use here. I’m already finding myself noticing heuristic thought more than before, and it is enabling me to make some weird wormholes between distant realms of thought normally considered absolutely untraversable.

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One newer development in my thinking on design: Increasingly, over the last five years I have spent practicing service design (my first exposure to a truly polycentric design discipline) I have realized the enormous importance of philosophical interoperability — of designing philosophies that enable connections between people, instead of distancing and alienating them. This is always a change, but is exponentially challenging in times like these when all popular philosophies are philosophies of alienation and despair.

Parents now feel virtuous teaching their children ways of understanding the world that reveal it only as a vale of tears, dominated by sin, oppression, greed and hatred — and doomed to perish of these vices — and then blame the world for their children’s despair.

A well-designed philosophy must speak to people with these mentalities, whether these apocalyptic visions are secular or antisecular, but must divert them away from nihilism, without also diverting them from the reality of reality.

Anyway… I’m excited about this book.

Rambling on about gundams

Art, Autobiography, Design, History, Music

A friend of mine invited me over to his house to assemble a model gundam with him. I’ve done it twice now, and it’s got me thinking.

As a young kid, for a few years I got way passionately into building model airplanes and cars.

I can pinpoint exactly when I got into it — July of 1981 — because I associate the smell of the citrus safety glue with Prince Charles and Princess Diana’s wedding which was going on at the same time. I’d picked up a model F-104 Starfighter at an Eckerd Drugs en route to SUUSI, a Unitarian-Universalist family summer camp thing. At SUUSI that year I learned the word “lesbian”, and, simultaneously, I found out that gay people were not mythical beings, but actually existed, were attending this camp, and wanted to hang out with each other. Who knew? Also at this session, they showed a film called “Beatlemania”, where I discovered that the Beatles were not an obscure musical act that only I knew about. Not only did a large number of UU adults show up to see the film, but other kids my age did, too. But here’s the real kicker: according to this film, the Beatles were a very popular band — bigger, even, than KISS, the Spinners and Ray Stevens.

Don’t judge me. I did not ask to grow up in rural South Carolina, and I definitely did not ask to be the socially awkward nerd child of yankee pinkos who decided to save money by living in an extra-backwards town neighboring the university where my dad worked — a town that detested yankee pinkos and their awkward offspring. And in the 80s, no less: the golden age of nerd persecution. The theme of every other movie that came out was how dorky, impotently horny and hopeless nerds were, and how they deserve the abuse they naturally receive from their social superiors, but maybe they can use computers or science to get revenge or catch a glimpse of gratuitous boobery. It was not a good time. So fuck off. I had to figure everything thing out myself. That included, most of all, how to generate self-respect in a respect vacuum — a skill that, more than anything else, has made me who I am.

But I’m digressing.

So, model-making takes me way back into by biographical prehistory, and the idea of trying it again was intriguing.

But it wasn’t the same at all. There is no citrus glue. The pieces fit together perfectly — like, weirdly perfectly. When I made my F-104 Starfighter the parts were crude — obviously molded out of plastic magma, probably poured by hand from cast iron vats, in some dark factory lit only by coal fire and arc welders, by some worker who looked like a sooty Mario from Donkey Kong. The parts were attached to trees, and had to be twisted and wrenched free before they could be stuck together.

Half the time the part broke at the wrong point, and the other half of the time the part got all mangled. Later, I learned to gouge the parts off the tree with a blunt X-Acto blade. I wasn’t clear on the concept of disposable blades. I thought of changing the blade as repairing the knife if it broke, and as long as it kept sort of cutting stuff, it wasn’t broken, yet. So I’m pretty sure the blade I plunged into the palm of my left hand, while attempting to carve a T-Top into the roof of a silver 1978 Trans-Am Firebird, had a broken-off tip, and was was also covered with rust and paint. Sadly, that hand-stab was likely the cleanest cut of my model-making career.

But I’m digressing, again.

These gundam molds are miracles of precision fabrication. We snip the pieces with an instrument called the GodHand Nipper. But snip is the wrong word. The plastic just politely and perfectly separates along the cutline.

Then we sand the imperceptible mark where the cut allegedly occurred, until it is as if that part is a material manifestation beamed to Earth from Plato’s plane of pure form. The parts are then snapped together, effortlessly, without any need of glue. They fit with a perfection that gives me goosebumps. Half of the experience is marveling at the ingenuity of the kit’s designer, and at the quality of the fabrication.

Reflecting on this experience, I realize I’ve misconceived the activity.

A long time ago a friend of mine explained to me the difference between popular art and fine art as one of effort, or — as we say in the service design racket, of “value exchange”. In popular art we expend little effort, and in return passively receive the modest pleasures of entertainment. With fine art, we invest serious effort in meeting the work half-way, and through active participation receive sometime life-transforming rewards.

In saying all this, I am not claiming that gundam models are fine art — (but I’m also not denying it) — but if I were to think of it that way, I would see the assembly of these kits less as an act of creativity, and more in terms of that kind of cocreativity demanded of the listener of classical music — or maybe, better, of the performer of a scored piece of music. Here there is a lovely blending of connoisseurship and artistry, of consumption and production, of a kind that was more available back in the day when, if you wanted to hear your favorite Beethoven sonata, you had to go play it for yourself with your own two hands on a piano.

Knowing from a distance

Design, Existentialism

My life as a design researcher goes like this, over and over: My client hires us to do design research. The organization is full of smart people who know the organization’s business inside and out. They believe they know roughly what is happening with their customers and their employees. Mostly they just want us to fill in some knowledge gaps. So we go out and interact with real people in their homes and workplaces. There we learn that the situation is quite different from what the client thought, that the problem has been misframed, and that the most important insights aren’t located in the knowledge gaps, but rather where nobody thought to look.

It’s not like this every time. Some organizations understand people better than others. But it is like this often enough that I am highly skeptical of claims to know from a distance. It is hard enough even to know close-up!

And when people seem unaware of the difficulties of distant knowledge and have too much confidence in their ability to piece things together based on sifting hearsay, I suspect they lack the kind of healthy relationship with reality that allows us to know truth.

Real and ideal

Design, Enworldment, Politics

Bruno Latour: “What is real resists.”

Reality most conspicuously resists our ideals.

What do we do when reality and ideal diverge?

We can be incurious, and ignore the gap.

We can be ideological, and condemn those who make it hard to ignore the gap.

We can impersonate gods, and condemn the gap itself.

We can be industrious, and reshape the world to conform to our ideals.

We can be reflective, and reshape our ideals to conform to the world.

We can be designerly, and reshape the world and our ideals together.

Design is not a praxis.

Design is praxis.

Polycentric design praxis

Enworldment, Philosophy, Pluricentrism

Here is where I am right now: I want to integrate polycentric design practice (design for multiple interacting participants in a defined social system) with my philosophical project, which reconceives philosophy as a genre of design — a genre of polycentric design. This integration of practice and theory yields a polycentric design praxis.

This polycentric design praxis is, itself, a polycentric design “artifact”, a way of being-in-the-world: an enworldment.

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These two projects are already joined at the root.

A radical design solution, to the degree it is radical entails philosophical work. Such solutions reach beyond mere ingenuity, by reframing the problem it is meant to solve.

Moderately radical solutions may use metaphor to semantically remap the problem landscape and to find a new standpoint from which one can view the problem in a new perspective, and approach it from new angles. Essentially, metaphor puts existing conceptions to work in new contexts, not only for the designer, but also for the participant in the design. But repurposing of conceptions through metaphor is only one move available to designers and thinkers. Some claim it is the only one, but this claim says more about the limits of the claimant than the limits of possibility. Truly radical thinking involves finding new conceptive movements through direct and tacit interactions with reality — nonverbal intuitions. The wordbound are stopped short where language ends, equally unable to originate or understand what cannot be assembled from dictionary definitions. Much of value can be made inside these limits, but the most important advances in human being happen when linguistic limits are transcended, through religious or artistic activity. The words come later, and new metaphoric material for word-tinkerers. All that being said, though — metaphor does make a design more usable, and the most successful radical designs use metaphor or simple conceptual models to do the reconceptive work of innovation.

Any innovation rooted in reconceptions beyond the verbal will be perceived, not as design, but as art. Likewise, any intellectual innovation rooted in reconceptions beyond the verbal will be perceived, not as philosophy, but as religion. Untamed art (that is, art that cannot be explained) and genuine religion (that is, religion that does not explain) inflicts perplexity on wordworlders.

My philosophical faith was forged in design practice. My worst perplexities come from my worklife. I see them arising from the unique requirements to conceptually align with diverse people. I’ve come to understand (that is, to reconceive) the strange kinds of pain human-centered designers suffer as collective perplexities, very similar to those felt by scientists during scientific crises and to those experienced by philosophers who discover their radical differences. And, I should add, to a culture who has fractured and factionalized and cannot reconcile its difference, because both sides are indubitably right, morally and epistemically) and face existential threats from the other.

Cultivating a practice of moral-epistemic irony toward myself either gives me a uniquely helpful approach to diagnosing and treating such group perplexities, or it gives me a smug and alienated claim to superiority.

What a mess of a post. I’ll stop now.

Optimistic outburst

Design

I just had a little optimistic outburst, and I almost went and blabbed it on LinkedIn, but decided instead to sleep on it:

If you were to sit down and inventory the pain points of your life, most of them could be traced to bad service design.

I’m not talking only — or even primarily — about your pain as a consumer of services. Even more, I’m talking about the frustrations you experience as a deliverer of services within your own organizations, and to your organizations’ customers.

Whenever an interaction just doesn’t seem worth the effort… whenever you feel coerced into complying with some bullshit policy… whenever you keep on going, from desireless momentum, or fear, or lack of alternatives — try re-seeing that moment as a service design fail. Notice how someone didn’t try to design the system to make things work out for all participants, or worse, designed it to benefit only one party, without consideration of others.

Things can be better than they are. We have methods, tools and praxis to co-design win-wins into our organizations and into our society.

The real question is: Do we actually want change? Are we willing invest effort and risk discomfort to achieve win-wins for everyone? Or are we actually sort of okay with business-as-usual?

 

Designerly exnihilism

Autobiography, Design, Design Instrumentalism, Enworldment, Exnihilism, Philosophy

Any experienced, philosophically-sensitive designer who reads the passage below will recognize how indebted design praxis is to Existentialist thought:

When we combine Heidegger’s explanation of the shift to the perspective of presence-at-hand with Sartre’s functionalist account of emotions, we obtain as a bonus an interesting explanation of our tendency to pit reason against passion. Examination of objects present-at-hand and indulgence in emotions like anger have the same origin — the recalcitrance of the world. Confronted with the broken toy, one child takes it to bits to examine it while another flies into a temper. The first deals with the recalcitrant object practically, the other ‘magically’. So reason and passion can come to seem incompatible strategies for coping with the world. The mistake of the dualist who seizes upon this and speaks of separate faculties or ‘parts of the soul’ is a failure to appreciate that, when things run smoothly, there can be no factoring out and isolation of the elements of understanding and mood, belief and desire, which are integrated in our engagement with the world.

The steepness of a hill is an undramatic example of something disclosed through mood. An important and distinctive feature of existentialist writings, however, is the demonstration that some moods and passions disclose matters of great moment. It is this which prompts one commentator to remark that the existentialists’ ‘phenomenology of the emotions … will prove to be one of their most valuable and lasting achievements’. An obvious instance is Angst, which is taken by several of our writers to intimate to us our radical freedom and individuality. I shall return to this and other examples including, by way of further initial illustration, the disclosive character imputed to sexual experience. ‘There is no doubt,’ writes Merleau-Ponty, ‘that we must recognize in modesty, desire and love in general a metaphysical significance.’ Shame and shamelessness, for example, together reveal the ‘ambiguous’ character of the body. In shame, it is revealed as an ‘object’, victim of the gaze and inspection of another. In shameless behaviour, a ‘subject’ — the dancing Salome, say — seeks to captivate another person, tum him into an ‘object’. More generally, Merleau-Ponty concludes, sexual experience is ‘an opportunity … of acquainting oneself with the human lot in its most general aspects of autonomy and dependence’.

Whether Merleau-Ponty’s particular suggestion is plausible does not matter for present purposes. What does matter is the plausibility, given the Existentialist’s view of our Being-in-the-world, of supposing that sexual and other feelings should have ‘metaphysical significance’. If our Being-in-the-world is an embodied engagement with a world that ‘opens’ itself to us through our concerns and projects, there can be no reason to think that it will be disclosed only when we take stock and reflect. On the contrary, unless its features are revealed in a more ‘proximal’ way, there would be nothing to take stock of and reflect upon. If so, it must be wrong to suppose that reason is the faculty which discovers how the world is and passion merely the arena in which our subjective reactions to this discovery are played out.

Above, I highlighted these sentences: “Confronted with the broken toy, one child takes it to bits to examine it while another flies into a temper. The first deals with the recalcitrant object practically, the other ‘magically’. So reason and passion can come to seem incompatible strategies for coping with the world.”

“Design” has always been a sharply ambiguous word, and the ambiguity has always split along these two strategies for coping with object-recalcitrance.

When engineers, and those who think in the manner of engineers (using the philosophy of technik) say the word “design”, the emphasis is usually on the practical aspects of objects.

But when “creatives” use the word “design”, the emphasis is on the passionate and magical. The goal is to use sensory and symbolic means to aesthetically and emotionally frame some artifact to crystalize within a user’s or customer’s worldview to stand apart (de-) as significant (-sign).

The trend in design is definitely toward a seamless de-severing of these two coping strategies, and instead coordinating them to return us to a smooth integration of “the elements of understanding and mood, belief and desire, which are integrated in our engagement with the world.”

But this very project of practical-magical integration requires designers to experiment with philosophy, and “frame” or “concept model” problems in multiple ways — not only to render problems more soluble on a practical level (as some designers think), but to invest the designed artifact with de-significance capable of crystallizing (or at its most magical, dissolving and recrystallizing) a person’s understanding around that artifact — and orienting them to that artifact conceptually, practically and axiosly. (I’m playing with back-forming “axiosly” from “axiology”, to mean pertaining to values. That it is uncomfortably close to the word “anxiously” is a feature, not a bug.)

The most powerful designs force rethinking of entire fields of life — for instance how iPhone put phone design in its own orbit by making it retroactively obvious that the iPhone approach is objectively the right way to design a phone.

(Rant: Upon seeing iPhone, most people were induced to reconceive what a phone can and ought to be. Seeing it, and grokking it, everyone’s understanding reshuffled to accommodate it. After the reconception and reshuffling, it no longer seemed to be an invention; it was a discovery, and iPhone was just a good execution of this newly discovered archetype. And you know, come to think of it, we all knew this truth all along. There was this precursor, and that one. Never mind that nobody did, really, or they would have tried harder to actualize it. But truth is, most people are too subjectively oblivious to catch what happened, and all that stands out to them are little objective novelties graspable by the grubby hands of IP law. Apple could only sue Google over design trifles like rounded-cornered rectangles and elastic scroll behaviors, because its primary innovation — the idea that demanded imagination, faith and perseverance to actualize — was too deep and too subjectively contagious to protect. How else can a phone be designed? It takes a Steve Jobs to hear that question as more than rhetorical and to venture an answer.)

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In my years of design, I have done numerous small, local philosophies and noticed that every really good design brief works like a spell on design teams to make perspective-shifting useful things. I call this philosophical craft “precision inspiration”.

And doing this work, day in and day out, has gradually shifted my own sense of truth, of reality, of practicality, of possibility — most of all of the permanent possibility of reconception of every thing and everything, which has cast a spell on me and made me an exnihilist.

Philosophy is designable. Philosophy-guided practice — praxis — is designable.

When we design praxis, we also redesign our overall experience of life — our enworldment.

My ambition is to be a praxis designer.

Design, existentialism, technocracy, etc.

Design, Design Instrumentalism, Enworldment, Philosophy, Politics

If a philosophy is more a matter of questions than of answers — or to take this beyond mere language, that praxis is more a matter of problems than of responses — and I do see it this way — then the fact that the questions and problems that concern me most are all, without exception, existential ones — including this crucial distinction I am making this very moment between mind-bound philosophizing and full-being praxis.

Many of my responses to existential problems have come from pragmatism (for example instrumentalism). However, I have noticed where pragmatism departs from existentialism (for instance much of analytic philosophy) the questions it pragmatists concern itself with feel like idle conceptual play in the sandbox of language.

If the work done inside the philosophical sandbox does not persist beyond the conceptual playtime, and the relevance of the work does not extend into the world beyond the sandbox — in other words, if it neglects the practical dimension and falls short of full praxis — the work is not only unimportant, but straight up uninspiring. Yes, praxic work, like any kind of work, can, in its inspired moments, feel playful. But if the work is dropped when it starts feeling painful, not only will the work not get done, the play itself will be mediocre — mere speculative escapism.

While I will continue to use pragmatist tools, I’m seeing my project as existentialist. For that reason I’m kicking all talk of “design instrumentalism”, “design pragmatism” and the like to the curb, and accepting the fact that I’m just a neo-existentialist. As I see it, I’m returning to existentialism gifts it contributed to design praxis, worn smooth and refined by use, and therefore, hopefully, in improved form.

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I think design praxis should merge more fully with existentialist praxis.

This means design praxis must fully liberate itself at last from the objectifying praxis of technik, which currently dominates not only technology, but the entire commercial world (still mostly managed as industry), the world of politics (technocracy), and even our culture (which objectifies unique persons as mere instantiations of identity).

I hear a lot of careerist-types, whose whole mission in life, it seems, is success and social prestige, sitting around casually raging about “dismantling the system”. I don’t take them seriously at all, because they obviously know who butters their bread, and they like butter a lot, and are unwilling to risk reduction of their butter supply. When you look past their words and observe their actions it becomes clear that butter is far more important to them than justice. As long as they continue to loyally serve the system in action — which very much includes directing their angry justicy words toward non-problems (such as DEI), and impossibilities (like overthrowing Capital) — the butter flows breadward in unctuous, golden streams.

But say these people did accidentally manage to dismantle the system. What would replace it? Given their intellectual poverty, the only thing these activists could envision and execute would be a new technik-dominated system, and probably one plagued with the worst vices of the current system, minus the extreme technical competence of New Deal bureaucrats, and devoid of those redeeming vestiges of liberalism that temper what we have today, and make it more or less bearable.

We’d end up with another technocracy cobbled together by Dunning-Kruger-crippled social engineers.

It’s the philosophy, stupid.

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Yesterday a friend posted an article on LinkedIn, “Why Corporate America Broke Up With Design”, along with some comments. I left some comments of my own.

Here’s the thing: design is a praxis — meaning it is a philosophically-guided practice. Nearly all large organizations are dominated by industrial praxis. They appropriate the tools and techniques and jargon of design, but confine it to the philosophy of technik, which cannot accomodate it. 1) This severely limits what design is able to accomplish. 2) The philosophy of technik is the actual source of misery, commonly attributed to capitalism by pop leftists.

Unfortunately, it is taboo to talk philosophy in the workplace, but fact is, our culture badly overdue for a philosophical reform, and until it happens the angst and conflict afflicting our society will intensify.

and

If corporate America did break up with design, it would be the typical divorce scenario: some thirsty dude marries an idea of a woman and cannot bring himself to learn that she is a real person, with her own first-personhood, with important lessons to teach him — and not an ideal or a function that exists only to satisfy his own needs or desires.

and, finally

This article is severely marred by its click-bait title. The author talks about design evolving to “stakeholder centered design” (which, by the way is what service design is, and has been for decades) and concludes with “Companies may have no choice but to adopt a more expansive view of design.”

No kidding.

But this is the furthest thing from a breakup. It is a much-needed deepening and internalization of design in how organizations approach their business.

Eventually, if we are all lucky, organizational leaders will finally recognize their organization (not only what it makes) is itself essentially a design problem, comprising smaller design sub-problems, each comprising smaller engineering, operational, financial and executive sub-problems.

The corporate world still has things mostly backwards and inside out… but this seems to be slowly but steadily changing.

Arthur Koestler – “Some General Properties Of Self-Regulating Open Hierarchic Order”

Design Instrumentalism, Holarchy, Philosophy, Pluricentrism

The outline below is from Janus: A Summing Up.

1. The holon

1.1 The organism in its structural aspect is not an aggregation of elementary parts, and in its functional aspects not a chain of elementary units of behaviour.

1.2 The organism is to be regarded as a multi-levelled hierarchy of semi-autonomous sub-wholes, branching into sub-wholes of a lower order, and so on. Sub-wholes on any level of the hierarchy are referred to as holons.

1.3 Parts and wholes in an absolute sense do not exist in the domains of life. The concept of the holon is intended to reconcile the atomistic and holistic approaches.

1.4 Biological holons are self-regulating open systems which display both the autonomous properties of wholes and the dependent properties of parts. This dichotomy is present on every level of every type of hierarchic organization, and is referred to as the “Janus phenomenon”.

1.5 More generally, the term “holon” may be applied to any stable biological or social sub-whole which displays rule-governed behaviour and/or structural Gestalt-constancy. Thus organelles and homologous organs are evolutionary holons; morphogenetic fields are ontogenetic holons; the ethologist’s “fixed action-patterns” and the sub-routines of acquired skills are behavioural holons; phonemes, morphemes, words, phrases are linguistic holons; individuals, families, tribes, nations are social holons.

2. Dissectibility

2.1 Hierarchies are “dissectible” into their constituent branches, on which the holons form the nodes; the branching lines represent the channels of communication and control.

2.2 The number of levels which a hierarchy comprises is a measure of its “depth”, and the number of holons on any given level is called its “span” (Herbert Simon).

3. Rules and strategies

3.1 Functional holons are governed by fixed sets of rules and display more or less flexible strategies.

3.2 The rules – referred to as the system’s canon – determine its invariant properties, its structural configuration and/or functional pattern.

3.3 While the canon defines the permissible steps in the holon’s activity, the strategic selection of the actual step among permissible choices is guided by the contingencies of the environment.

3.4 The canon determines the rules of the game, strategy decides the course of the game.

3.5 The evolutionary process plays variations on a limited number of canonical themes. The constraints imposed by the evolutionary canon are illustrated by the phenomena of homology, homeoplasy, parallelism, convergence and the loi du balancement (Geoffroy de St. Hilaire).

3.6 In ontogeny, the holons at successive levels represent successive stages in the development of tissues. At each step in the process of differentiation, the genetic canon imposes further constraints on the holon’s developmental potentials, but it retains sufficient flexibility to follow one or another alternative developmental pathway, within the range of its competence, guided by the contingencies of the environment.

3.7 Structurally, the mature organism is a hierarchy of parts within parts. Its “dissectibility” and the relative autonomy of its constituent holons are demonstrated by transplant surgery.

3.8 Functionally, the behaviour of organisms is governed by “rules of the game” which account for its coherence, stability and specific pattern.

3.9 Skills, whether inborn or acquired, are functional hierarchies, with sub-skills as holons, governed by sub-rules.

4. Integration and self-assertion

4.1 Every holon has the dual tendency to preserve and assert its individuality as a quasi-autonomous whole; and to function as an integrated part of an (existing or evolving) larger whole. This polarity between the Self-Assertive (S-A) and Integrative (INT) tendencies is inherent in the concept of hierarchic order; and a universal characteristic of life.

The S-A tendencies are the dynamic expression of the holon’s wholeness, the INT tendencies of its partness.

4.2 An analogous polarity is found in the interplay of cohesive and separative forces in stable inorganic systems, from atoms to galaxies.

4.3 The most general manifestation of the INT tendencies is the reversal of the Second Law of Thermodynamics in open systems feeding on negative entropy (Erwin Schroedinger), and the evolutionary trend towards “spontaneously developing states of greater heterogeneity and complexity” (C. J. Herrick).

4.4 Its specific manifestations on different levels range from the symbiosis of organelles and colonial animals, through the cohesive forces in herds and flocks, to the integrative bonds in insect states and Primate societies. The complementary manifestations of the S-A tendencies are competition, individualism, and the separative forces of tribalism, nationalism, etc.

4.5 In ontogeny, the polarity is reflected in the docility and determination of growing tissues.

4.6 In adult behaviour, the self-assertive tendency of functional holons is reflected in the stubbornness of instinct rituals (fixed action-patterns), of acquired habits (handwriting, spoken accent), and in the stereotyped routines of thought; the integrative tendency is reflected in flexible adaptations, improvisations, and creative acts which initiate new forms of behaviour.

4.7 Under conditions of stress, the S-A tendency is manifested in the aggressive-defensive, adrenergic type of emotions, the INT tendency in the self-transcending (participatory, identificatory) type of emotions.

4.8 In social behaviour, the canon of a social holon represents not only constraints imposed on its actions, but also embodies maxims of conduct, moral imperatives and systems of value.

5. Triggers and scanners

5.1 Output hierarchies generally operate on the trigger-release principle, where a relatively simple, implicit or coded signal releases complex, preset mechanisms.

5.2 In phylogeny, a favourable gene-mutation may, through homeorhesis (Conrad Waddington) affect the development of a whole organ in a harmonious way.

5.3 In ontogeny, chemical triggers (enzymes, inducers, hormones) release the genetic potentials of differentiating tissues.

5.4 In instinctive behaviour, sign-releasers of a simple kind trigger off Innate Releasive Mechanisms (Lorenz).

5.5 In the performance of learnt skills, including verbal skills, a generalized implicit command is spelled out in explicit terms on successive lower echelons which, once triggered into action, activate their sub-units in the appropriate strategic order, guided by feedbacks.

5.6 A holon on the n level of an output-hierarchy is represented on the (n + 1) level as a unit, and triggered into action as a unit. A holon, in other words, is a system of relata which is represented on the next higher level as a relatum.

5.7 In social hierarchies (military, administrative), the same principles apply.

5.8 Input hierarchies operate on the reverse principle; instead of triggers, they are equipped with “filter”-type devices (scanners, “resonators”, classifiers) which strip the input of noise, abstract and digest its relevant contents, according to that particular hierarchy’s criteria of relevance. “Filters” operate on every echelon through which the flow of information must pass on its ascent from periphery to centre, in social hierarchies and in the nervous system.

5.9 Triggers convert coded signals into complex output patterns. Filters convert complex input patterns into coded signals. The former may be compared to digital-to-analogue converters, the latter to analogue-to-digital converters (Miller, G. A., Galanter, E. and Pribram, K. H., Plans and the Structure of Behaviour, 1960).

5.10 In perceptual hierarchies, filtering devices range from habituation and the efferent control of receptors, through the constancy phenomena, to pattern-recognition in space or time, and to the decoding of linguistic and other forms of meaning.

5.11 Output hierarchies spell, concretize, particularize. Input hierarchies digest, abstract, generalize.

6. Arborization and reticulation

6.1 Hierarchies can be regarded as “vertically” arborizing structures whose branches interlock with those of other hierarchies at a multiplicity of levels and form “horizontal” networks: arborization and reticulation are complementary principles in the architecture of organisms and societies.

6.2 Conscious experience is enriched by the cooperation of several perceptual hierarchies in different sense-modalities, and within the same sense-modality.

6.3 Abstractive memories are stored in skeletonized form, stripped of irrelevant detail, according to the criteria of relevance of each perceptual hierarchy.

6.4 Vivid details of quasi-eidetic clarity are stored owing to their emotive relevance.

6.5 The impoverishment of experience in memory is counteracted to some extent by the cooperation in recall of different perceptual hierarchies with different criteria of relevance.

6.6 In sensory-motor coordination, local reflexes are short-cuts on the lowest level, like loops connecting traffic streams moving in opposite directions on a highway.

6.7 Skilled sensory-motor routines operate on higher levels through networks of proprioceptive and exteroceptive feedback loops within loops, which function as servo-mechanisms and keep the rider on his bicycle in a state of self-regulating, kinetic homeostasis.

6.8 While in S-R theory the contingencies of environment determine behaviour, in O.H.S. theory they merely guide, correct and stabilize pre-existing patterns of behaviour (P. Weiss).

6.9 While sensory feedbacks guide motor activities, perception in its turn is dependent on these activities, such as the various scanning motions of the eye, or the humming of a tune in aid of its auditory recall. The perceptual and motor hierarchies are so intimately co-operating on every level that to draw a categorical distinction between “stimuli” and “responses” becomes meaningless; they have become “aspects of feed-back loops” (Miller et al.).

6.10 Organisms and societies operate in a hierarchy of environments, from the local environment of each holon to the “total field”, which may include imaginary environments derived from extrapolation in space and time.

7. Regulation channels

7.1 The higher echelons in a hierarchy are not normally in direct communication with lowly ones, and vice versa; signals are transmitted through “regulation channels”, one step at a time.

7.2 The pseudo-explanations of verbal behaviour and other human skills as the manipulation of words, or the chaining of operants, leaves a void between the apex of the hierarchy and its terminal branches, between thinking and spelling.

7.3 The short-circuiting of intermediary levels by directing conscious attention at processes which otherwise function automatically, tends to cause disturbances ranging from awkwardness to psychosomatic disorders.

8. Mechanization and freedom

8.1 Holons on successively higher levels of the hierarchy show increasingly complex, more flexible and less predictable patterns of activity, while on successive lower levels we find increasingly mechanized, stereotyped and predictable patterns.

8.2 All skills, whether innate or acquired, tend with increasing practice to become automatized routines. This process can be described as the continual transformation of “mental” into “mechanical” activities.

8.3 Other things being equal, a monotonous environment facilitates mechanization.

8.4 Conversely, new or unexpected contingencies require decisions to be referred to higher levels of the hierarchy, an upward shift of controls from “mechanical” to “mindful” activities.

8.5 Each upward shift is reflected by a more vivid and precise consciousness of the ongoing activity; and, since the variety of alternative choices increases with the increasing complexity on higher levels, each upward shift is accompanied by the subjective experience of freedom of decision.

8.6 The hierarchic approach replaces dualistic theories by a serialistic hypothesis in which “mental” and “mechanical” appear as relative attributes of a unitary process, the dominance of one or the other depending on changes in the level of control of ongoing operations.

8.7 Consciousness appears as an emergent quality in phylogeny and ontogeny, which, from primitive beginnings, evolves towards more complex and precise states. It is the highest manifestation of the Integrative Tendency (4.3) to extract order out of disorder, and information out of noise.

8.8 The self can never be completely represented in its own awareness, nor can its actions be completely predicted by any conceivable information-processing device. Both attempts lead to infinite regress.

9. Equilibrium and disorder

9.1 An organism or society is said to be in dynamic equilibrium if the S.A. and INT tendencies of its holons counter-balance each other.

9.2 The term “equilibrium” in a hierarchic system does not refer to relations between parts on the same level, but to the relation between part and whole (the whole being represented by the agency which controls the part from the next higher level).

9.3 Organisms live by transactions with their environment. Under normal conditions, the stresses set up in the holons involved in the transaction are of a transitory nature, and equilibrium will be restored on its completion.

9.4 If the challenge to the organism exceeds a critical limit, the balance may be upset, the over-excited holon may tend to get out of control, and to assert itself to the detriment of the whole, or monopolize its functions – whether the holon be an organ, a cognitive structure (idee fixe), an individual, or a social group. The same may happen if the coordinate powers of the whole are so weakened that it is no longer able to control its parts (C. M. Child).

9.5 The opposite type of disorder occurs when the power of the whole over its parts erodes their autonomy and individuality. This may lead to a regression of the INT tendencies from mature forms of social integration to primitive forms of identification and to the quasi-hypnotic phenomena of group psychology.

9.6 The process of identification may arouse vicarious emotions of the aggressive type.

9.7 The rules of conduct of a social holon are not reducible to the rules of conduct of its members.

9.8 The egotism of the social holon feeds on the altruism of its members.

10. Regeneration

10.1 Critical challenges to an organism or society can produce degenerative or regenerative effects.

10.2 The regenerative potential of organisms and societies manifests itself in fluctuations from the highest level of integration down to earlier, more primitive levels, and up again to a new, modified pattern. Processes of this type seem to play a major part in biological and mental evolution, and are symbolized in the universal death-and-rebirth motive in mythology.

I love these Tractatus / Irreductions outline structured summaries. They are little aphorism systems, where each part is a perfect little holon gem within larger units of holons, and everything has a lovely object quality and a graceful participatory motion within the whole, a motion that conceptively clings when we look outward, away from the system.

( — Conceptive cling is the entire point of philosophy. We can and should choreograph these conceptive motions in a way that continues on past when we stop philosophizing — continuing on, spontaneously embracing elements of our experience, taking together as something — something we perceive, conceive and respond to without mediation of words. To conceptively choreograph our selves is to take responsibility for our existence, for our human being. To do this conceptive choreography with intention — tacking between inward and outward view, experimentally entertaining possibilities, comparing, selecting — this is approaching our enworldments as designers. This is a new variant of existentialism, impurified and improved in the crucible of polycentric design praxis. We selves are our conceptive dancing of mind and body. A good philosopher, like a good dancer, moves proprioceptively, feeling perfection and flaw in stepless flow. Reliance on reflection, whether in mirrors or language — these are crutches, marks of a hack. A thought is known through thinking it, not by grabbing it by the words. A good practical philosopher feels mind and body proprioceptively, married dance-partners, one in flesh. — )

But back to the structured summary form: It is Mozartian. It is classical. I might have to experiment with writing this way. It satisfies those fetishizing drives that animate my design activity, as a designer of products and as a designer of conceptions. (But weirdly, not yet as a designer of services!)

Paul Rand, classic sabra

Autobiography, Design

Several years ago, I bought Paul Rand’s book just to have his most famous quote represented in my sacred library in its proper fetish-form (hardback, of course): “Everything is design. Design is everything.”

*

I just watched a video of Steve Jobs reflecting on working with Paul Rand.

Jobs’s description of Rand’s designerly sabra personality is especially inspiring to me right now. I resolve to harden and spike my exterior to establish respect first. Later, if people prove themselves respectable, I will dole out friendship in small portions until I find the edges of their abilities, generosity and presumptuousness.

Not all colleagues are peers. Not all buddies are friends. I keep these distinctions very clear in my own head, and now I’m going to help others stay clear on them as well.

*

When children are misparented to believe that their own ignorant convictions are just as valid as the hard-won wisdom of older people — (or more valid, because the convictions they indoctrinated to uncritically accept are fresh and new!) — someone’s got to reparent them. Our culture cannot sustain another generation of permachildren.

Gen X was raised in conditions of Peter-Pandemonium — and it falls on us to recover and reinvent adulthood so young people can see why maturity is desirable.

*

I’m worried that if I don’t get my social topology straightened out, I risk becoming an everse-sabra.

Design activism

Autobiography, Design, Design Instrumentalism, Enworldment, Philosophy, Pluricentrism

All design praxis is guided by a glorious hybrid of existentialist and pragmatist ideas, interbred and naturally selected for maximum effectiveness. This is true for monocentric design disciplines (UX, CX, and all the other X-disciplines, where designers focus on the experience of a single person encountering a designed thing) — and it even more  true for polycentric design disciplines (where networks of people interact with one another and with things, each having an intentionally formed experience of that network and its constituent elements, some of whom are fellow persons). Today, service design is the most prominent example of polycentric design.* (See note below.)

Any design project potentially conveys this praxis (and a taste of its enworldment) to those who actively participate in the project, and for that reason all design projects are, to some degree, interesting to me.

But the design projects that are most fascinating are ones where the designed systems themselves (not only the designing of the system) serve the propagation of design praxis and designerly enworldment.

The latter is a kind of activism I find inspiring.

For this reason, I am prioritizing educational service design, in collaboration with my wife Susan.

My goal: I want people to approach all problems as polycentric design problems.

I want to do this by 1) clarifying, developing and articulating the tacit philosophy of polycentric design praxis, 2) by involving as many people as possible in doing and learning polycentric design, 3) encouraging design practitioners to use design praxis as their primary life praxis (most importantly in their political thinking!), and 4) by redesigning education to teach polycentric design praxis, and thereby conserve and perpetually reform liberal democracy.

*

“Everything is design. Design is everything.” — Paul Rand

  * Note: I believe the world is badly in need of other forms of polycentric design where interactions are less hierarchical, more equal, and where roles in a system are not clearly defined in consumer and provider terms, and less amenable to being characterized in terms of service. (Service designers might object and offer redescriptions of social systems using service logic, but to me — and, I hypothesize, most people outside the service design profession — this will feel like a reductionistic stretch. Polycentric design is designing for pluralism.

Existentialist marginalia

Philosophy, Pluricentrism

Written in the margin of David Cooper’s Existentialism: A Reconstruction:

Uniting an agential plurality [intuitive swarm]…

  • self

…Within a transcendent, partially comprehended matrix

  • dialogical
  • social
  • worldly
  • cosmic
  • divine

…As a participant, participating in a transcendent whole [of some scope].

We know transcendence solely through our participation in transcendent matrices.

Some additional random comments:

  • Perplexity is participatory. The resolution of a perplexity is finding one’s mode of participation, then reflecting on that participation to produce knowledge helpful for guiding participation in the future. Reflection prior to participatory resolution renders the perplexity insoluble. All original philosophy is reflection on successful participation in what began as perplexity. Anyone who wishes to be a thinker, but who balks before perplexity and refuses to enter and participate are — whether they acknowledge it or nor — constrained to combinatory novelties.
  • Polycentric design (including service design) is design of participatory systems, and a participatory existentialism is the optimal philosophical approach to polycentric design praxis. Or to say it less opaquely: service designers are best served thinking and acting as existentialists. Sadly, I have met almost no young designers capable of Existential modes of thought. They are all, with few exceptions, naive-scientistic technocrats, who use ethical rationalizations to justify totalistic societal control. It is, in fact, very similar to the alienated mindset of the public that so alarmed the early Existentialists in the years preceding WWII, and set Existentialism in motion.
  • From a Gen X perspective, generations can be characterized by their relationship to Existentialism.
  • People are essentially how they think. Few people take responsibility for how they think, and therefore are accidents of society. These people, if they think at all, invariably insist that this is true for all people. This, however, is a transparent attempt to alleviate their shame by universalizing it. The shame and the pain of their failure to develop selfhood is their own responsibility. Refusal to bear responsibility for this failure intensifies the shame and pain, along with the inclination to blame others for it. The obvious anomie, distress, despair, disorientation and consequent self-harming behaviors of children is often interpreted by parents as caused by a doomed world full of oppression and hate, when in fact it is the very philosophy held by the parents, taught to the children through their own words and actions, that is the root cause of the pain.
  • Our culture is philosophically diseased. Behind our political conflicts, our mental health pandemics (many of which are “cured” through normalizing reclassification), and our incapacity to collaborate to solve problems together is philosophical dysfunction. But part of that dysfunction is the view that philosophy is speculative and irrelevant to practical life, which precludes the only cure. Existentialism (and Pragmatism) can help cure this disease.

Response to a design ethics interview

Design, Ethics, Politics

A friend of mine is interviewing designers on ethics in design. A couple of my team members participated. This sparked a guilt-wracked conversation that I thought he might find interesting. Here is what I told him:

For what it’s worth, as a consequence of your interviews with us, my team had a painful conversation about our personal culpability in class supremacy. We design consultants are hired, not only to increase revenue through better products and services, but also to “increase efficiencies”, or to “scale operations”, both of which are code for eliminate working-/service-class jobs. Good proclass employees as we are, we do our jobs with Eichmannian effectiveness.

We all make good livings helping our own class dominate through entrepreneurial and corporate initiatives that siphon more money into our own class while sinking those who get “disrupted” into ever-deepening poverty and despair.

If a real worker’s revolution were ever to happen, I think many of us might fail to recognize it, since we are so accustomed to situating ourselves on the side of justice and of historical heroism. The workers, themselves, I fear, might beg to differ.

We proclassers use environmental and identitarian social justice issues to distract from a large and very angry elephant in the room: The proclass — (the professional class operating under the dominant ideology we call “progressivism”) — is the single most oppressive group in this country — and in the world. This class has been bought by capitalism and serves its interests with near-perfect obedience, even while ritualistically and ineffectually badmouthing it.

Proclass privilege is a privilege none of us will ever voluntarily check because it is the root, but rarely named, source of our collective and individual power. If we check that privilege, we lose the privilege of calling all the shots on what is true, just, and good in our society. We will have to put our values on equal footing with those who see things differently — and that we will never do!

Second verse, same as the first

Design, Enworldment, Ethics, Music, Philosophy, Trefoil

We apprehend that something is, but we may not comprehend what it is.

“Apprehending that” establishes something’s existence.

“Comprehending what” establishes its conceptual relations within our understanding.

Sometimes (often, in fact) we apprehend something, but we cannot immediately comprehend it. We either ignore it as irrelevant, gloss over it, or are forced to figure out what it is. Sometimes, after a little effort, we recognize what it is, either with a word, or, failing that, with an analogy that has not yet been assigned a word: “this is, in some sense, like that.” Sometimes this recognition clicks, and we begin to experience it as a given what that thing is. Sometimes the recognition does not click, but we have no better option than to manually recall what we made of it, and hope the recall eventually becomes habitual.

In other words, there is spontaneous whatness, and there is artificial whatness.

In some cases, we can apprehend that something exists, or comprehend what it is, but still have no univocal sense of its meaning (in the valuative sense — moral or aesthetic), either because there is no distinct meaning or because we sense conflicting meanings. We have to reflect on it, turn it and its context around in our minds, and work out how we ought to feel. Sometimes a sense of moral clarity comes to us, but often it doesn’t.

In other words, there is spontaneous whyness, and there is artificial whyness.

We also might apprehend that something exists, or even comprehend what it is, but be unprepared to respond to it practically. We can talk about it, but cannot interact with it effectively. We are forced to think it out, devise a plan and execute the plan before we know what to do.

In other words, there is spontaneous howness, and there is artificial howness.

Perhaps the reverse of these cases is more interesting: sometimes we might lack comprehension, but still somehow still sense the value of something only apprehended. We might even respond practically — pre-verbally — to a realy that is apprehended but which remains uncomprehended.

Does that seem impossible? Do you believe a thing must be comprehended before value can be felt or response is possible? If you believe this, I accept that this is true — for you. I have no doubt this is true for a great portion of modern human beings. I won’t even rule out the possibility this is the case for the majority of educated people living in this era. For this type, reality is intercepted and linguified prior to feeling value or responding practically. And when we do something often we get better and better at it. We begin to think we can train ourselves to understand the world the way we want to, to train our feelings to find goodness or beauty where we want it there to be value, and to train our behaviors to automatically respond as we want them to.

To us, this imposition of artificiality might be acceptable to people accustomed to constantly instructing themselves with words, verbalizing whatever they see, arriving at conclusions using syllogisms or frameworks, and calculate valuations in units of currency. But those of us who value in minimizing linguistic mediation between ourselves and the world, see this aggressive linguification and retraining of our What, Why and How — with little or no concern for the fact that they feel artificial or false to us — seems nothing less than an existential threat. It is social engineering on the micro-scale, and not outside and (hopefully) at a distance, like the grand social engineering of the twentieth century, but in the intimate domain of the personal soul.

And like the old “macro” social engineering projects, this micro social engineering preys on insensitivity to experience and gross over-reliance on verbalized thought. Macro-social engineering believed it would, using iron and concrete, intentionally construct a better society to replace the inadequate one that organically developed unintentionally, or more accurately developed through non-centralized, uncoordinated, distributed intentions. “Oh, you think it is ugly? It is only new and unfamiliar.” They said this about building projects, and they said this about serial music. Both produced blight. Today’s micro social engineering wants to replace inadequately-accommodating concepts and language with new truth constructions with better intentions. “Oh, this seems ungainly and false to you? It is only new and unfamiliar.” I have little doubt that entrusting the construction of truth to overconfident, ambitious wordworlders will produce intellectual and cultural blight. Of course, exactly this kind of person will make relativistic objections: Who are you to judge matters of taste? And indeed, to those without taste, taste is arbitrary. But this does not make taste arbitrary, it only disqualifies them from speaking credibly about taste — at least to others who actually have taste and know better.

*

But isn’t this… conservative? How can we make progress as a society if we must stick to what seems natural and familiar to us?

It seems obvious that what is most familiar to us feels natural to us. Social constructivists (or at least the vulgar majority of them) will insist that these things seem natural only because they have become familiar. But this neglects the possibility that perhaps they became familiar precisely because they naturally and spontaneously appealed to people from the start. And because they felt natural soon after being adopted.

This is why I keep bringing things back to design. Design, or at least good design, aims at intuitiveness, which simply means for non-verbalized cognitive processes. We want the whatness, whyness and howness to be spontaneously understood, and to require the least possible amount of verbal assistance or figuring out.

Familiarity is a key factor in such designs. A mostly-unfamiliar design will require too much adjustment. But the innovations introduced into mostly-familiar designs are not all equal. Some are confusing, or ugly, or hard to interact with, where others, after a moment of adjustment, are experienced as clarifying, or beautiful, meaningful or delightful, or effortless to use — and it is these designs that are adopted and then seem retroactively inevitable.

But our verbal minds and its logic and frameworks do not decide what does or does not make sense or have positive value or affords an effortless interaction. It can only speculate about what might work, and use these speculations to prototype artifacts which are then offered to people’s whatness, whyness and howness intuitions. The intuitions accept them or reject them, and good designers honor this acceptance and rejection over their linguified reason.

Good designers are not really conservatives, but they are even less social constructivists. They seek a better second-naturalness — something that people willingly choose over what was familiar.

The only places where inadequate familiarity (bad conservatism) or ungainly social constructivism (bad progressivism) prevails is where voluntary adoption is not an issue because the adopters lack choice. They cannot escape the situation or have nowhere to go. Or at least the bad conservatives or bad progressivists believe they lack options and must comply.

Where rough equality and free choice exist, design prevails.

*

When I philosophize, I think things out. I try different interpretations, different analyses, different syntheses, different articulations. The ideas I devise I then offer to my intuition. If they click, I then try to use these ideas to make intuitive sense of things that matter to me, that seem to require understanding. I see how these ideas perform: do they clarify the matter? help me feel its various values? help me respond more effectively?

As with all other design, there is a strange ambiguity between the designed artifact as an object, the subjective using of the artifact, and the new sense of objectivity as given through the artifact’s mediation. To offer a tangible example, when we use a new digital tool, we are aware of the tool itself, we are also aware that we are using it in some particular way that is patly novel, and we find that what we are using the tool to perceive or act upon (for instance, images we view or images we edit) are understood somewhat differently. All these ambiguities are what designers mean when we say we are designing an experience, as opposed to merely the artifact.

With philosophy, there is language and there are concepts. But there is also a using of these words and concepts, and this using can be effective or ineffective. The using of the words and concepts, once acquired, is applicable even outside of the philosophical artifact itself. It “clings” like the mood of a novel, except it produces intuitive understandings — What, Why and How of various kinds and relations. I’ve called these “conceptive capacities”. New conceptive capacities are what “inspire us” and what “gives us ideas”. Perhaps this very line of thought I’m sketching inspires you and gives you ideas. This line of thought also has given me a world of ideas and thst world is what my book is about. I’ve called this book Second Natural and also Enworldment — the former, because the very goal is to produce a second natural truth that we truly believe, and the latter because radically new second natural truth produces a very different overall understanding of the world and of everything. Which reminds me of an old abandoned third title: The Ten Thousand Everythings, so named because every person is the center of an enworldment, even if, to us, they seem to be a thing belonging to our own enworldment.

Respect requires us to approach all other persons as the center of an enworldment. Our dignity is injured if we are not treated as such.

Yet, tragically, the more brilliant we are, the better informed we are, the more certain we are of our own benevolence and righteousness — and, yes, the more powerful we are — the more likely we are to disrespect those who differ from us, and the more ready we are to injure their dignity by forcing upon them our own self-evidently superior enworldment — which, to them, feels artificial, tyrannical, hubristic and profoundly dehumanizing.

Putting Rorty to work

Design, Philosophy

This lifted from an evolution map my team is currently working on. I’m posting this here because the concepts of “progress from” and “progress toward” were derived from Richard Rorty.

 

(For context: the purpose of an evolution map is to sketch our a phased approach to a service, where each phase delivers a useful, usable, desirable, coherent service that builds on the last phase, and sets the stage for the next. The future phases, though, can be too distant to predict with any degree of confidence. This is why we call the furthest phase the “north star”. We navigate by it, but do not seriously expect to arrive at the future we describe. We think about the present in reference to it, always anticipating where we might go next.)

Consummated knowledge

Design, Design Instrumentalism, Enworldment, Ethics, Philosophy

A synthesis (syn- “together” + -tithenai “put”) is put-together piece by piece, expertly connected at each joint with logic.

The synthesis is placed before the mind, and the mind conceives it (con- “together” + -capere “take”). It is taken-together — conceived as a whole.

But the conceived whole still contains within itself the synthesis, which may be safely assumed and ignored. The whole can, in principle, be reopened, analyzed and seen to form a valid synthesis, or it can remain a closed unit — a given — represented by a concept.

In being simultaneously together-put and together-taken — both a conceived con- and synthesized sum- — the knowledge is consummated.

*

When a synthesis is unblessed by conception, the synthesis must remain either a certified truth claim, or a thinking process that must be consciously repeated to reaffirm the truth. The knowledge feels unnatural, mechanical and artificial in application.

Consummated knowledge feels natural and can be called second-natural.

Consummated knowledge is integrated into one’s own subjectivity, and becomes an extension of one’s own self. Consummated knowledge is faithful.

Synthesis stays external. It is a pile of objective ideas one thinks about and considers “true”. Synthetic knowledge might become engrained in habit and experienced as familiar, but it can never be seen in nature as a given,

*

Some rationalists are unable or unwilling to conceive a distinction between habitually-engrained and second-natural. They want to believe human nature is artificial and arbitrary. This is the mentality that assured us that our ears would learn to love serial music, that we would feel happy dwelling in cold, austere modern spaces. This is the mentality that wishes to reengineer language in order to remake our norms.

The only difference between artificiality and second-nature is time — and compulsion.

These rationalists fancy themselves more open and imaginative than those confined to the narrow convention of today’s taste. They are prophets who refuse to limit themselves to contemporary prejudices.

But what if today’s worst and most narrow prejudice is the malleability of human nature? That taste is a prejudice — but not rationalism, not unfettered imagination?

*

Consummation is the ideal of design. A great design is intuited on the whole, but the intuition provides insight into the design’s synthesized parts. Designers work hard keeping the system consummated so part and whole inter-illumine.

This consummation is also the ideal of philosophy. An enworldment is a conceptual-synthetic understanding of everything that permits us to feel the synthetic black-boxed truth sealed tidily inside wholes, which we could, but needn’t, open, analyze, inspect and reassemble, unless we are bothered by it, or truly curioys. Without being burdened and overwhelmed we can intuit an intelligibility of the world around us.

*

Or we can just break open every concept and leave the parts disassembled snd scattered. Every concept can be deconstructed, as we invariably find if we try.

The deconstructions do not necessarily destroy our faith in the concepts, but if the concepts are destructible, a deconstruction is the most effective means.

For this reason, we often deconstruct unwanted given truths with an intent to destroy. Once we have done it, we sometimes feel we have earned the right to call the former given a mere construct.

Do we, ourselves, stop seeing the given as true? Nobody can prove one way or another, so it is safe to lie if we wish.

We can also make new syntheses and put them into concept-like boxes and claim that we find these boxes intuitive.

Do we ourselves see these concept-like constructions as given truths? Nobody can prove one way or another, so it is safe to lie if we wish.

And many of us have grown so burdened with facts accepted from other experts that we no longer have any expectation of intuiting a given world. Nothing feels natural, and we congratulate ourselves on that fact. We tell ourselves and each other that we are better off relying on “System 2” artificial thinking-about as we bob about adrift in a meaningless universe. Nobody can prove one way or another, so it is safe to lie if we wish.

Nobody can prove one way or another, so we think it is safe to lie if we wish — except this unprovable dishonesty is felt with immediacy. The dishonesty pervades a personality and gives it a coloration and odor. Though this profound dishonesty cannot be formally discredited, it is not believed, even by oneself. But nobody can prove one way or another, so it is safe to lie if we wish.

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Lack of intellectual conscience is a liability to philosophical and design craft.

Since you asked…

Design Instrumentalism, Enworldment, Ethics, Geometric Meditations, Judaism, Murmurations, Phenomenology, Philosophy, Pluricentrism, Star

A friend of mine has a habit of sending me emails consisting of simple, beautiful questions.

Years ago he introduced me to Christopher Alexander. When Alexander died I sent him an email, and that started a discussion of Alexander’s later work. This was the context (at least for me) of his latest question-poem:

What is value? Can it be objective?

Does it exist in everything, regardless of whether it is understood or appreciated?

Of course, I had to ruin the glorious simplicity by writing an encyclopedia of a response. The content is mostly the same stuff I am always going on and on about, but these questions inspired a different angle of expression.

But there is one new-ish move here, which might even be an insight: extending the complexity of Bergsonian time to both space (conceived in designerly contextual terms) and — best of all — to self. Just as Bergson conceived now, not as an instant-point, but as a flowing interaction of memories and anticipations, we can see the I, not as an ego-point, but as a subject-complex with flexibly mobile contours subsisting within any number of We’s. This polycentric-self idea may present an alternative to the individualist-collectivist continuum that for many seems the only conceivable possibility.

It all seemed worth posting, so here it is, in mildly edited form.

What is value? Can it be objective?

Christopher Alexander seems committed to objective value, if by objective you mean “inherent to objects” and not relative to a subject. My inclination is to see value as relational — a relation between valuer and valued. I know this is exactly the relativist conventional wisdom what Alexander is attempting to overcome — and I respect that — but I think the real goal here is aesthetic truthfulness (a species of intellectual conscience).

The trusty old Enlightenment method of logical coercion, though, is no match for the might of aesthetic bad faith. Someone who needs to lie about subjective values will become a true believer.

I think this is a religious matter, honestly. Subjective honesty is a virtue we have to cultivate in ourselves, and then we can recognize others who seem to respond to what we experience in similar ways. If discrepancies in response happen, it is more or less impossible to know if someone is subjectively dishonest, or having a strong, sincere idiosyncratic response — or has developed sensibilities beyond our own and are seeing beauty (or other subjective conceptions/perceptions) we haven’t learned to see, yet.

But if we want subjective truth, we’ll stay responsive to our own value-sense, while also looking for ways to transcend our current subjective limits (that is, we will entertain new ways of conceiving and perceiving and see what “takes”).

I think the best reason for this subjective self-transcendence is seeking more accommodating truth, supportive of community of subjective experience with others. Bigger, deeper, richer common sense.

Our We can be more than a mere aggregation of me’s and it’s (in orbit around one’s own I, even — no, especially — when we attempt to efface, factor out, or counter-balance that central I) but this requires a different good faith than the Enlightenment’s objective good faith.

The I won’t disappear. It can’t disappear because it doesn’t appear — any more than our own eyes appear in our vision. The I makes everything else appear. I manifests as a particular everything — what I’m calling enworldment.

We cannot decenter our own I no matter how we try, and when we attempt it, we only conceal its workings for ourselves and delude ourselves into universalizing our own current enworldment as the world per se. Decentering creates more monstrously self-idolizing self-centerings: misapotheosis.

What is needed now is polycentering. Let’s stop scolding our children and saying “you are not the center of the universe.” (When heard phenomenologically, this is manifest bullshit, because of fucking course every child is situated precisely at the center of the universe, and nowhere else, as every child knows!) What we should say is: “you are not the only center of the universe.”

The best alternative to egoist self-centeredness is not the self-decenteredness of altruism, but the self-polycenteredness of participation in community.

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For some reason Bergson is in the air right now. Many of us are realizing or re-realizing that every instant of time is not an infinitesimal blip on a timeline, but a complex of recollections, concurrences and anticipations. And if we look around us into our environment, as designers, objects are not aggregates of infinitesimal particles, but are environed complexes of contexts, parts, wholes, ensembles. We need to grasp the fact that the I is exactly analogous, in this way, to space and time. An I subsists within a We of present people, memories of people, who I am to others, who they are to me, what I fear from them and for them, what I desire from them, and they from me — an I is a complex of freedom and response-ability. An I is not an ego-point, it is a subject-complex.

That asterisk-shaped continuum with I-Here-Now at the center does not meet at a point but, rather at a bright nebular heart streaming out into things, times, relationships — streaming out, and sometimes withdrawing back into itself to conserve itself, or to gather energy for more streaming-out, or to die as an insular speck.

Does it exist in everything, regardless of whether it is understood or appreciated?

Again, I think value can exist in everything and ideally does exist in everything, but I’m a believer in value inhering not in the subjectivity of the valuer’s valuations or in the objectivity of the valued’s value, but rather in the relationship — in the consummation of valuing. It isn’t subjective or objective — it is “interjective”.

The value is there for us, as a self-evident universal given, if we enworld ourselves in a way that invites valuing relationships. Christians call this “entering the Kingdom of Heaven.”

Argyle

Design, Design Instrumentalism, Enworldment, Judaism, Star

Today, I am recollecting and reflecting on the insights that originally inspired me to draw a diagram that I’ve called “the argyle”.

It was originally meant to show how conceptual wholes and synthesized parts can intersect to produce meaningful systems. In a meaningful system the conception of the system makes the synthesized parts feel necessary and given, because their relationships are pre-determined by the logic of the concept –“Of course it works this way! — but, also, the synthesis is rationally constructed, so even if the concept were missed, the system would make sense — “This is perfectly clear and logical!”.

A meaningful system is comprehended with intuition and reason, or with both together in concert. (I’ve also considered the idea of treating comprehension as being simultaneous inter-illuminating conception and synthesis — instead of as an umbrella term for either conception or synthesis.)


The reason I needed to create this framework was that I’ve found that certain very types of designers (and people doing the work of designers) tend to prioritize concept over synthesis or synthesis over concept to such a degree that they stop reinforcing one another. One one extreme we have the wild genius who conceives a vision of the whole and regards all logic as stultifying formalism that undermines the inspired spontaneity of creation. It does not have to make clear sense if hearts are stirred and wallets open wide. On the other extreme we have the logical organizer of elements who views with suspicion and impatience any delaying attempt to seek an overarching concept to guide the design. After all, logic can get down to work immediately and start making demonstrable progress toward the final goal. If the final output is uninspired and dry — so what? Can the system be figured out with minimal effort? Good enough.

Years later, out of exasperation and a weakness for potty-mouthed ridicule, I developed a second model to describe the failure of merging concept and synthesis — though somehow, until today, I managed to miss the opportunity to explicitly link this failure to synthesis and concept. Instead I linked it to inspired meaning versus practical details.

I called this “the bullshit-chickenshit model”.

Bullshit – Meaningful, inspiring ideas that seem to promise something, but that something can never be fulfilled through any practical action.

Chickenshit – Practical activity that seems like it ought to serve some meaningful purpose, but in reality is pointless busyness.

Bullshit is meaning without practice. Chickenshit is practice without meaning.

But, really, bullshit can be understood as unsynthesizable concept. The meaning is a feeling of vast promise that cannot be applied to any particular.

Chickenshit can be understood as inconceivable synthesis. It is a giant mechanism of logically conjoined pieces that never resolves into a meaningful whole.

Most of what we encounter in the world is pure bullshit and pure chickenshit, and this produces that one-two KO nihilistic punch in the face that sometimes makes us want to burn this whole madhouse down.

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Finally, I will accept the risk of being accused of bullshit by suggesting that the  Star of David can be viewed as a transcendent argyle, and the ultimate overcoming of bullshit and chickenshit . Even before I was Jewish I conceived it this way, and this insight contributed to my need to be Jewish.

Here, the overlap of concept and synthesis is maximized, and both the depth of concept and extent of the synthesis is felt to exceed the overlap. The meaning of the religious vision resonates in every practical detail of life, but also the doing of every day mundane life is sacralized in Tikkun Olam.

Sacred practicality is practical sacrality.

Practical sacrality is sacred practicality.

This is my own Jewish ideal, and I don’t think it is only mine.

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Postscript

The “skeleton” of the star — formed by connecting the opposing points of each of the overlapping triangles — eventually became the asterisk “star” in Geometric Meditations.