I changed the subtitle of this blog from “philosophy of design of philosophy” to “praxis of design of praxis”.
Category Archives: Philosophy
Bad faith pandemic
The original reason I picked up David Cooper’s Existentialism: A Reconstruction, was my recognized that the aggressive spread and intensification of Progressivist identitarianism is a bad faith pandemic.
The passage below, from distills the problem precisely:
The thesis of Being and Nothingness is that conflict is the way of Being-for-others of people who are in bad faith. The implication is that people who ‘convert’ from bad faith will, and must, relate to one another in a different way, that of ‘intersubjective solidarity’. This implied thesis is, I suggest, equivalent to that of reciprocal freedom. That is, the claim that my freedom depends on my ‘collaborating’ in the freedom of others is a restatement of the claim that I exist in good faith only through adopting the perspective of ‘intersubjective solidarity’, and abandoning the ‘oppressive’ attitudes which obtain in the regime of conflict.
The reasoning is as follows. Bad faith, we know, is first and foremost the view of oneself as object-like, as something In-itself or present-to-hand. This view is a false one: in particular it is a failure to recognize one’s capacities of existential freedom. Now we also know that the primary mode of bad faith is ‘the predominance of the Other’: the tendency to view oneself through the eyes of others, as just one more series of events in the universe. However, and crucially, it is only because I regard others in this objectifying manner that, looking at myself through their eyes, I regard myself in this manner too. If others are objects for me, I am an object for them — and hence, via the prism they provide for self-understanding, an object for myself as well. Having broken with ‘intersubjective solidarity’, I receive back from others the objectifying conception I form of them, an ‘image of myself as the Other’. Through treating others as alien, I become alienated from myself, and my freedom becomes an ‘oppressed freedom’ through my effective denial of others’ freedom. This is what Sartre meant by saying that ‘in oppression, the oppressor oppresses himself.’
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A person indoctrinated in Progressivism will seek self through identity.
As the Progressivist poses it, implicit in the question “Who am I?” or “Who are you?” is an answer of the form “What am I?” or “What are you?”
The progressivist preface “Speaking as [an identity]” implies a “speaking to [an identity]”. Even when this preface is not explicitly voiced, it is implied, and it is felt.
And this identitarianism is not only for public political action. Insistence that the personal is political” ensures that the Progressivist is permanently insulated from others, interpersonal relationship and, most of all, any sense of self.
But according to Progressivism the emptiness, hopelessness, numbness, nihilism, anxiety and anomie experienced by so many Progressivists (and their children) is inflicted by those non-believing nonconformists who refuse to adopt the identity theories Progressivism to accept the identities they confuse for themselves and to behave in the ways Progressivists demand.
Of course, it is obvious all the suffering is caused by the bad faith of Progressivism itself — just as the torments of Christian fundamentalists are caused not by the devil nor by the wicked, but by their own hellish dogma — but there is no arguing with fundamentalists.
Freedom system
From Cooper’s Existentialism: A Reconstruction:
‘In the end,’ writes Marcel, ‘there must be an absolute commitment’, and what
‘matters most’ is the ‘fidelity’ demanded by this commitment. This squares with his earlier rejection of commitment to principles as ‘idolatrous’, since the commitment now in view is to persons — to other people and to God. (Like Buber, Marcel thinks that fidelity to people is intelligible only through a similar relation to God. …)Corresponding to this commitment to others is a further form of availability. Earlier, unavailability was understood intellectually, as a ‘hardening’ of a person’s descriptive and evaluative categories. What matters more to Marcel
is unavailability to other people. This is ‘rooted in alienation’ from them, an inability to allow them a ‘presence’ or ‘influx’ in one’s life. They are mere ‘cases’ or ‘objects’. ‘When I am with an unavailable person, I am conscious of being with someone for whom I do not exist.’ The last volumes of Proust’s novel depict, in Marcel’s opinion, a coterie of people chronically unavailable to each other, obsessively enclosed in their private worlds as Proust himself was in his cork-lined room.The remedy for such unavailability is commitment: for it is only through this that others come to ‘have a hold’ on me. And it is through this ‘hold’, and the reciprocal one which I have on them, that our lives interpenetrate and we become truly ‘present’ to one another. But what are the constituents of this reciprocal commitment? In part, the mutual exercise of the Christian virtues of faith, hope and charity. In charity or ‘generosity’, for instance, I must be pennanently ‘on call’ for the other person, in case he is in need. More interesting is the point made, in very Buberian terms, in this passage: ‘if I treat the Thou as a He [or any identity], I reduce the other to … nature: an animated object … If I treat the other as Thou, I treat him and apprehend him qua freedom … what is more, I help him … to be freed, I collaborate with his freedom.
Availability, then, is a reciprocal relation through which each party is committed not only to treating the other as a free person, but to enabling and ‘collaborating with’ his freedom. This has an important implication. A person can only realize himself’ qua freedom’ as a participant in such reciprocal relations. For, outside of them, he is without ‘collaborators’ to ‘help him … to be freed’. This is what Marcel emphasizes when he writes that in contrast to the ‘captive soul’, the one which is available to others ‘knows that … its freedom … does not belong to itself.
With remarks like these, it is clear that Marcel is in the territory not only of Buber, but of Sartre who, we know, also states that a person’s freedom
‘depends entirely upon the freedom of others’.
Existentialism was conceived in the years preceding the Second World War, when the public became a They, a mass of “people chronically unavailable to each other”.
When folks get woke or red-pilled, they lose availability.
That is how I experience politics.
That is why I hate ideologies: They kill the souls of past, present and future friends and turn them into body-snatched aliens.
Fun
I woke up last night with an insight: fun is the objectification of the good life.
But the good life is essentially subjective.
By “essentially subjective” I mean that it is an participatory existential state, not a comprehensible event on a timeline with a start and finish.
This bit from the back cover of Blondie’s debut album impressed me as a child: “Blondie hates fun, but they have so much of it that they decided it’s time to unload the real meaning of fun on this LP.” Condemning entire categories of experience is hilarious. When I declare time as my least favorite dimension, I’m stealing this humor from Blondie.
Witness
We are responsible for our operative faith — for the underpinning conceptions that shape our interpretations, animate our thoughts and direct our intentions — and to the degree we become capable of philosophical reflection we become more responsible.
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We are nihilists because we are afraid of the consequences of a meaningful world.
Can I prove this? No.
Can I doubt it? No.
Can you doubt it? That’s between you, yourself and your witness.
T. M. Krishna!
Sunday, Susan and I got to attend a lec-dem by the great Carnatic vocalist T. M. Krishna. We were especially excited that he was accompanied by violinist, Akkarai Subhalakshmi.
I was most excited about the musical performance part of the event, but it turns out the lecture part might have more lasting impact.
His lecture was about the history of raga forms, and his own views on the degradation of raga forms from an organic aesthetically-guided musicality to a synthetic computational model. The great loss, according to T. M. Krisha, is the ability to spontaneously feel the belonging of any part of the raga to whole. The synthetic ragas must mechanically repeat phrasings to maintain its re-cognitive character.
What shocked and excited me about what he was saying is that this precisely is a distinction I have been trying to make in my own philosophical work, distinguishing between synthetic ideas — which must be explicitly recalled and applied in constructing thoughts — versus conceptive ideas which work spontaneously and produce givens: givens of perception, of interpretation and of thought. The acquisition of a new conceptive capacity gives us new givens from nowhere, expanding our ontological range, thus enlarging our enworldment and enabling us to accommodate more truth.
I feel certain that my profound philosophical — or better, praxic — kinship with T. M. Krishna’s accounts for my instant love of his music. I conceive his music as an auditory embodiment of the very ideas that animate my thinking.
India is a living superset of every possible philosophical idea humanity will ever conceive, so I am overjoyed, but not at all surprised, to have reconceived an Indian enworldment..
I dug through T. M. Krishna’s book, A Southern Music and found some of the content from his lecture:
In the early eighteenth century, Venkatamakhin’s descendent Muddu Venkatamakhin decided to artificially create ragas for the remaining fifty-three of the seventy-two possible melas computed by his ancestor Venkatamakhin. He used the same method that had been used to create the raga deshisimharavam. This meant that all seventy-two melas were functional. The raganga raga needed to have only the seven svaras. It was around this time that arohana and avarohana came to be used to define the melodic structure of a raga. This created artificial janya ragas that were formulated from the non-functional melas. As these ragas had no aesthetic component to their identity, the simplest way to describe them was to mention the svaras that appeared in their arohana and avarohana. These svaras were after all based on the computed svarasthanas. This was another important marker in raga history. Even under the constructed melas, Muddu Venkatamakhin placed older, naturally evolved ragas. He not only gave names to all the fifty-three raganga ragas that he constructed, but also altered the names of older raganga ragas. This was done to accommodate the ingenious syllabo-numeric memory system that was evolved to identify the number of the mela from the name of the raganga raga, a system called the katapayadi samkhya.
As I move to the next major development, I must point out that the exercise of computation resulted in ragas being reinterpreted in terms of only the svaras they contained, rather than the aesthetic form of their melodic movements. This is also revealed in the use of arohana and avarohana as the defining characteristic of ragas. We must realize that once these systems came into practice, they were also being placed upon ragas that had evolved organically and were not determined by the arohana or avarohana. All ragas were being looked at through the prism of the arohana and avarohana, thus deconstructing their natural melodic features. …
Ragas that evolved from melodic phraseology developed through time and remained cohesively held together by the aesthetic cognition of unity. These ragas may have seven svaras or even less. They cannot be purely defined by the sequence of the svaras in the arohana or avarohana. Examples of this are surati, ritigaula, anandabhairavi, gaula and saveri. …
In the eighteenth century, we come across another treatise called Sangraha Chudamani (1750–1800). We know very little about the treatise or its author Govinda (not to be confused with Govinda Dikshita). This treatise completely sterilized the concept of raga and mela. Govinda combined the ideas of sampurna along with arohana and avarohana. In doing so, he decided that the ragas that held the name of the mela must have all the seven svaras in sequential order both in the arohana and avarohana. He also created a new term for the melakarta: meladhikara (the raga that has authority over the mela). Most ragas that evolved naturally did not have svaras in linear sequence and could not be meladhikaras. Only six older ragas were given the meladhikara status. Older natural ragas were listed within artificial melas whose meladhikara was a synthetic raga. The status of the raga that held the title for the mela had thus changed from being the most popular raga to the one that had authority over the mela…
With these conceptual changes to raga and the adaptation of many forms of contrived svara sequences as ragas, we are faced with an aesthetic challenge. Do all these different types of ragas have the abstract nature that is a creation of the raga’s musical heritage, phraseology and its psychological recognition? An aware listener can sense this by listening to just one phrase. In an artificial raga, the musician and the listener have to constantly connect with all the svaras present and their sequence. They cannot transcend this level of engagement and move to the real level of aesthetics of phrase forms. Why is such transcendence important?
Let me suggest an answer to that question. A raga belongs not to the literal but to the inferred. The inferred comes alive when the perceiver can be invited into the sound of the raga, which is born from every svara, every phrase, every phrase connection and the raga as a whole. This experience is only possible when the listener does not need to be reminded of the technical nature of the svara or its sequence. Synthetic ragas lack the abstractive nature both in form and in the way they can be received.
Selves and projects
If Cooper’s ideal Existentialist is right, that a life project invests an I with cohesive selfhood, it can be extrapolated that a shared life project invests a We with cohesive selfhood.
Pushing it further, a project that transcends the comprehension of I but offers it a participatory role, might intuitively convey belonging in a society, but do so without an explicitly defined project.
Every self is a society. It is selves and societies all the way down, sahib — and it is selves and societies all the way up. But are they cohesive, purposeful ones? Should they be?
Whyness
If, when asking “Why?” you require a response that begins with “Because”, you are committing a category mistake. Until you learn to ask differently, no response will satisfy you.
Justifications only link What and How to Why, it doesn’t yield Why. Why precedes justification — if it exists at all.
If you are asking “Why?”, this indicates that Why is absent.
Eversion perversion
An everted intentional object is an extensional subject, a god.
Polycentric design praxis
Here is where I am right now: I want to integrate polycentric design practice (design for multiple interacting participants in a defined social system) with my philosophical project, which reconceives philosophy as a genre of design — a genre of polycentric design. This integration of practice and theory yields a polycentric design praxis.
This polycentric design praxis is, itself, a polycentric design “artifact”, a way of being-in-the-world: an enworldment.
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These two projects are already joined at the root.
A radical design solution, to the degree it is radical entails philosophical work. Such solutions reach beyond mere ingenuity, by reframing the problem it is meant to solve.
Moderately radical solutions may use metaphor to semantically remap the problem landscape and to find a new standpoint from which one can view the problem in a new perspective, and approach it from new angles. Essentially, metaphor puts existing conceptions to work in new contexts, not only for the designer, but also for the participant in the design. But repurposing of conceptions through metaphor is only one move available to designers and thinkers. Some claim it is the only one, but this claim says more about the limits of the claimant than the limits of possibility. Truly radical thinking involves finding new conceptive movements through direct and tacit interactions with reality — nonverbal intuitions. The wordbound are stopped short where language ends, equally unable to originate or understand what cannot be assembled from dictionary definitions. Much of value can be made inside these limits, but the most important advances in human being happen when linguistic limits are transcended, through religious or artistic activity. The words come later, and new metaphoric material for word-tinkerers. All that being said, though — metaphor does make a design more usable, and the most successful radical designs use metaphor or simple conceptual models to do the reconceptive work of innovation.
Any innovation rooted in reconceptions beyond the verbal will be perceived, not as design, but as art. Likewise, any intellectual innovation rooted in reconceptions beyond the verbal will be perceived, not as philosophy, but as religion. Untamed art (that is, art that cannot be explained) and genuine religion (that is, religion that does not explain) inflicts perplexity on wordworlders.
My philosophical faith was forged in design practice. My worst perplexities come from my worklife. I see them arising from the unique requirements to conceptually align with diverse people. I’ve come to understand (that is, to reconceive) the strange kinds of pain human-centered designers suffer as collective perplexities, very similar to those felt by scientists during scientific crises and to those experienced by philosophers who discover their radical differences. And, I should add, to a culture who has fractured and factionalized and cannot reconcile its difference, because both sides are indubitably right, morally and epistemically) and face existential threats from the other.
Cultivating a practice of moral-epistemic irony toward myself either gives me a uniquely helpful approach to diagnosing and treating such group perplexities, or it gives me a smug and alienated claim to superiority.
What a mess of a post. I’ll stop now.
Contrarian thoughts on the public
Based on my understanding of David Cooper’s characterization of Existentialism, I believe two of my strong convictions may be somewhat heterodox within Existentialism.
First, Existentialism should never seek to be a norm. I do not believe many members of the public ought to pursue the Existentialist ideal. Rather, I think most should play their public roles according to the ethnomethodical rules of their various social settings, as long as doing so allows them to live reasonably rational, effective, meaningful lives. If things are going well for a society, nobody should be condemned for identifying themselves with their social role. If the everyday enworldment of the public isn’t broken, everyone should be encouraged (though not required) to adopt it and live by it.
Second, existential responsibility is not only, or even primarily to oneself. Existentialists should not treat the public as a threat to evade. The public should be seen as its responsibility. If the popular, everyday enworldment of the public is broken — that is, if the life it affords is unreasonable irrational, ineffective or nihilistic — it is Existentialism’s responsibility — its very raison d’etre — to repair or redesign it.
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I continue to view philosophy as a sort of secular esoterism, responsible for maintaining, reforming or remaking the various exoteric enworldments available to the public. Most of these enworldments are small and local (to a social circle, an organization or even a gathering or project), but sometimes responsibilities expand to larger scales.
19XX – 2022
Christopher Alexander (March 17), Richard J. Bernstein (July 4) and now Bruno Latour (October 9). Each of these three changed the course of my life. This has been a hard year.
Bruno Latour
Call from the woods
I am reinspired by these words:
Permission to speak! — The demagogic character and the intention to appeal to the masses is at present common to all political parties: on account of this intention they are all compelled to transform their principles into great al fresco stupidities and thus to paint them on the wall. This is no longer alterable, indeed it would be pointless to raise so much as a finger against it; for in this domain there apply the words of Voltaire: quand la populace se mele de raisonner, tout est perdu. {“When the mob joins in and adds its voice, all is lost.”} Since this has happened one has to accommodate oneself when an earthquake has displaced the former boundaries and contours of the ground and altered the value of one’s property. Moreover, if the purpose of all politics really is to make life endurable for as many as possible, then these as-many-as-possible are entitled to determine what they understand by an endurable life; if they trust to their intellect also to discover the right means of attaining this goal, what good is there in doubting it? They want for once to forge for themselves their own fortunes and misfortunes; and if this feeling of self-determination, pride in the five or six ideas their head contains and brings forth, in fact renders their life so pleasant to them they are happy to bear the calamitous consequences of their narrow-mindedness, there is little to be objected to, always presupposing that this narrow-mindedness does not go so far as to demand that everything should become politics in this sense, that everyone should live and work according to such a standard. For a few must first of all be allowed, now more than ever, to refrain from politics and to step a little aside: they too are prompted to this by pleasure in self-determination; and there may also be a degree of pride attached to staying silent when too many, or even just many, are speaking. Then these few must be forgiven if they fail to take the happiness of the many, whether by the many one understands nations or social classes, so very seriously and are now and then guilty of an ironic posture; for their seriousness is located elsewhere, their happiness is something quite different, their goal is not to be encompassed by any clumsy hand that has only five fingers. Finally, from time to time there comes to them — what it will certainly be hardest to concede to them but must be conceded to them nonetheless — a moment when they emerge from their silent solitude and again try the power of their lungs: for then they call to one another like those gone astray in a wood in order to locate and encourage one another; whereby much becomes audible, to be sure, that sounds ill to ears for which it is not intended. — Soon afterwards, though, it is again still in the wood, so still that the buzzing, humming and fluttering of the countless insects that live in, above and beneath it can again clearly be heard.
The Miller Anomalogies Test
Q: Philosophy : Worldview :: Praxis : _____________
A: Philosophy : Worldview :: Praxis : Enworldment
Instaurationalism’s fork
Once we finally recognize the degree to which truth is instaurated through our own participation in our own local and contingent patch of reality, we are faced with a decision, which is an ultimate matter of faith:
- We can take this recognition of truth’s being as somehow absolute, or
- We can take this recognition of truth’s being as just the latest and greatest contingent truth.
What does this choice mean?
It is a question of life in the objective-all, or life from the subjective-here.
To put it Jewishly, it is a question of responding with keter or hineini.
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As so often happens, a methodological and ethical point, which I learned from the Christian Pragmatist C. S. Peirce, barges to mind:
“We cannot begin with complete doubt. We must begin with all the prejudices which we actually have when we enter upon the study of philosophy. These prejudices are not to be dispelled by a maxim, for they are things which it does not occur to us can be questioned. Hence this initial skepticism will be a mere self-deception, and not real doubt… Let us not pretend to doubt in philosophy what we do not doubt in our hearts.”
Can I actually, in good faith, doubt that my contingent belief in instaurationality (that truth is instaurated through participation in reality) is — both epistemologically and morally — right?
…But then, given this truth, even this very truth must be contingent…
But is this essentially a truth, an idea to be comprehended? Is it perhaps, rather, a self-situating, an orientation, an attitude — an intellective act that is not essentially comprehension, but something else? A new mode of participation…? Not an epistemic act but a moral act…?
Perhaps it is our own responsibility to embrace this one infinitesimally finite selfpoint — this hineini — this I — and to live it fully as our own situatedness within and toward the infinite One, Echad. This is my conviction.
To me, where I am now, a Jew, the alternative to being one is to attempt to embrace infinity, and, consequently to render ourselves zero.
One might see the attempt to embrace infinity by identifying ones own truth with Its truth — and consequently suffering self-annihilation — as an act of devotion or humility.
I, however, see this as the ultimate hubris — misapotheosis — an act of supreme irresponsibility. But maybe it really is apotheosis. Maybe it is anatta, nibbana.
We are in the realm of the tragic. Ambinity. One or Zero-Infinity?
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If I am not mistaken, this fork in the road is the where existentialism and postmodernism diverge.
Some take one, some take the other, and most balk.
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When I was in school, it seemed obvious that any quantity divided by infinity is zero. Clearly.
Why shouldn’t we just admit this fact? Why prohibit the operation?
As an adult, I now understand: because the subject we were studying was mathematics.
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Shanah Tovah.
Philosophy, speculative and praxic
A conception we use to pose a problem or question about something, or to propose a solution, answer or account, or to actually respond practically may be common to across the questioning, asserting or doing — or we might find the conception only works in one or another of these activities.
In the former case, where a single conception guides our asking, asserting and doing, the conception can be said to belong to a praxis.
In the latter case, we will stumble over separations between theory and practice, and conceptions are confined to mere practice or mere theory. Most philosophy pays nearly no attention to practice apart from being able to ask and assert in philosophical contexts, and this is why very few people see any value in philosophy.
I value philosophy if — and only if — the philosophy is an integral component of some praxis, which is the case for much of Pragmatism and Existentialism.
Maybe I can use this insight to pry some books out of my library.
Yaos
Whole : Heaven
Participation : Man
Parts : Earth
Designerly exnihilism
Any experienced, philosophically-sensitive designer who reads the passage below will recognize how indebted design praxis is to Existentialist thought:
When we combine Heidegger’s explanation of the shift to the perspective of presence-at-hand with Sartre’s functionalist account of emotions, we obtain as a bonus an interesting explanation of our tendency to pit reason against passion. Examination of objects present-at-hand and indulgence in emotions like anger have the same origin — the recalcitrance of the world. Confronted with the broken toy, one child takes it to bits to examine it while another flies into a temper. The first deals with the recalcitrant object practically, the other ‘magically’. So reason and passion can come to seem incompatible strategies for coping with the world. The mistake of the dualist who seizes upon this and speaks of separate faculties or ‘parts of the soul’ is a failure to appreciate that, when things run smoothly, there can be no factoring out and isolation of the elements of understanding and mood, belief and desire, which are integrated in our engagement with the world.
The steepness of a hill is an undramatic example of something disclosed through mood. An important and distinctive feature of existentialist writings, however, is the demonstration that some moods and passions disclose matters of great moment. It is this which prompts one commentator to remark that the existentialists’ ‘phenomenology of the emotions … will prove to be one of their most valuable and lasting achievements’. An obvious instance is Angst, which is taken by several of our writers to intimate to us our radical freedom and individuality. I shall return to this and other examples including, by way of further initial illustration, the disclosive character imputed to sexual experience. ‘There is no doubt,’ writes Merleau-Ponty, ‘that we must recognize in modesty, desire and love in general a metaphysical significance.’ Shame and shamelessness, for example, together reveal the ‘ambiguous’ character of the body. In shame, it is revealed as an ‘object’, victim of the gaze and inspection of another. In shameless behaviour, a ‘subject’ — the dancing Salome, say — seeks to captivate another person, tum him into an ‘object’. More generally, Merleau-Ponty concludes, sexual experience is ‘an opportunity … of acquainting oneself with the human lot in its most general aspects of autonomy and dependence’.
Whether Merleau-Ponty’s particular suggestion is plausible does not matter for present purposes. What does matter is the plausibility, given the Existentialist’s view of our Being-in-the-world, of supposing that sexual and other feelings should have ‘metaphysical significance’. If our Being-in-the-world is an embodied engagement with a world that ‘opens’ itself to us through our concerns and projects, there can be no reason to think that it will be disclosed only when we take stock and reflect. On the contrary, unless its features are revealed in a more ‘proximal’ way, there would be nothing to take stock of and reflect upon. If so, it must be wrong to suppose that reason is the faculty which discovers how the world is and passion merely the arena in which our subjective reactions to this discovery are played out.
Above, I highlighted these sentences: “Confronted with the broken toy, one child takes it to bits to examine it while another flies into a temper. The first deals with the recalcitrant object practically, the other ‘magically’. So reason and passion can come to seem incompatible strategies for coping with the world.”
“Design” has always been a sharply ambiguous word, and the ambiguity has always split along these two strategies for coping with object-recalcitrance.
When engineers, and those who think in the manner of engineers (using the philosophy of technik) say the word “design”, the emphasis is usually on the practical aspects of objects.
But when “creatives” use the word “design”, the emphasis is on the passionate and magical. The goal is to use sensory and symbolic means to aesthetically and emotionally frame some artifact to crystalize within a user’s or customer’s worldview to stand apart (de-) as significant (-sign).
The trend in design is definitely toward a seamless de-severing of these two coping strategies, and instead coordinating them to return us to a smooth integration of “the elements of understanding and mood, belief and desire, which are integrated in our engagement with the world.”
But this very project of practical-magical integration requires designers to experiment with philosophy, and “frame” or “concept model” problems in multiple ways — not only to render problems more soluble on a practical level (as some designers think), but to invest the designed artifact with de-significance capable of crystallizing (or at its most magical, dissolving and recrystallizing) a person’s understanding around that artifact — and orienting them to that artifact conceptually, practically and axiosly. (I’m playing with back-forming “axiosly” from “axiology”, to mean pertaining to values. That it is uncomfortably close to the word “anxiously” is a feature, not a bug.)
The most powerful designs force rethinking of entire fields of life — for instance how iPhone put phone design in its own orbit by making it retroactively obvious that the iPhone approach is objectively the right way to design a phone.
(Rant: Upon seeing iPhone, most people were induced to reconceive what a phone can and ought to be. Seeing it, and grokking it, everyone’s understanding reshuffled to accommodate it. After the reconception and reshuffling, it no longer seemed to be an invention; it was a discovery, and iPhone was just a good execution of this newly discovered archetype. And you know, come to think of it, we all knew this truth all along. There was this precursor, and that one. Never mind that nobody did, really, or they would have tried harder to actualize it. But truth is, most people are too subjectively oblivious to catch what happened, and all that stands out to them are little objective novelties graspable by the grubby hands of IP law. Apple could only sue Google over design trifles like rounded-cornered rectangles and elastic scroll behaviors, because its primary innovation — the idea that demanded imagination, faith and perseverance to actualize — was too deep and too subjectively contagious to protect. How else can a phone be designed? It takes a Steve Jobs to hear that question as more than rhetorical and to venture an answer.)
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In my years of design, I have done numerous small, local philosophies and noticed that every really good design brief works like a spell on design teams to make perspective-shifting useful things. I call this philosophical craft “precision inspiration”.
And doing this work, day in and day out, has gradually shifted my own sense of truth, of reality, of practicality, of possibility — most of all of the permanent possibility of reconception of every thing and everything, which has cast a spell on me and made me an exnihilist.
Philosophy is designable. Philosophy-guided practice — praxis — is designable.
When we design praxis, we also redesign our overall experience of life — our enworldment.
My ambition is to be a praxis designer.
Design, existentialism, technocracy, etc.
If a philosophy is more a matter of questions than of answers — or to take this beyond mere language, that praxis is more a matter of problems than of responses — and I do see it this way — then the fact that the questions and problems that concern me most are all, without exception, existential ones — including this crucial distinction I am making this very moment between mind-bound philosophizing and full-being praxis.
Many of my responses to existential problems have come from pragmatism (for example instrumentalism). However, I have noticed where pragmatism departs from existentialism (for instance much of analytic philosophy) the questions it pragmatists concern itself with feel like idle conceptual play in the sandbox of language.
If the work done inside the philosophical sandbox does not persist beyond the conceptual playtime, and the relevance of the work does not extend into the world beyond the sandbox — in other words, if it neglects the practical dimension and falls short of full praxis — the work is not only unimportant, but straight up uninspiring. Yes, praxic work, like any kind of work, can, in its inspired moments, feel playful. But if the work is dropped when it starts feeling painful, not only will the work not get done, the play itself will be mediocre — mere speculative escapism.
While I will continue to use pragmatist tools, I’m seeing my project as existentialist. For that reason I’m kicking all talk of “design instrumentalism”, “design pragmatism” and the like to the curb, and accepting the fact that I’m just a neo-existentialist. As I see it, I’m returning to existentialism gifts it contributed to design praxis, worn smooth and refined by use, and therefore, hopefully, in improved form.
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I think design praxis should merge more fully with existentialist praxis.
This means design praxis must fully liberate itself at last from the objectifying praxis of technik, which currently dominates not only technology, but the entire commercial world (still mostly managed as industry), the world of politics (technocracy), and even our culture (which objectifies unique persons as mere instantiations of identity).
I hear a lot of careerist-types, whose whole mission in life, it seems, is success and social prestige, sitting around casually raging about “dismantling the system”. I don’t take them seriously at all, because they obviously know who butters their bread, and they like butter a lot, and are unwilling to risk reduction of their butter supply. When you look past their words and observe their actions it becomes clear that butter is far more important to them than justice. As long as they continue to loyally serve the system in action — which very much includes directing their angry justicy words toward non-problems (such as DEI), and impossibilities (like overthrowing Capital) — the butter flows breadward in unctuous, golden streams.
But say these people did accidentally manage to dismantle the system. What would replace it? Given their intellectual poverty, the only thing these activists could envision and execute would be a new technik-dominated system, and probably one plagued with the worst vices of the current system, minus the extreme technical competence of New Deal bureaucrats, and devoid of those redeeming vestiges of liberalism that temper what we have today, and make it more or less bearable.
We’d end up with another technocracy cobbled together by Dunning-Kruger-crippled social engineers.
It’s the philosophy, stupid.
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Yesterday a friend posted an article on LinkedIn, “Why Corporate America Broke Up With Design”, along with some comments. I left some comments of my own.
Here’s the thing: design is a praxis — meaning it is a philosophically-guided practice. Nearly all large organizations are dominated by industrial praxis. They appropriate the tools and techniques and jargon of design, but confine it to the philosophy of technik, which cannot accomodate it. 1) This severely limits what design is able to accomplish. 2) The philosophy of technik is the actual source of misery, commonly attributed to capitalism by pop leftists.
Unfortunately, it is taboo to talk philosophy in the workplace, but fact is, our culture badly overdue for a philosophical reform, and until it happens the angst and conflict afflicting our society will intensify.
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If corporate America did break up with design, it would be the typical divorce scenario: some thirsty dude marries an idea of a woman and cannot bring himself to learn that she is a real person, with her own first-personhood, with important lessons to teach him — and not an ideal or a function that exists only to satisfy his own needs or desires.
and, finally
This article is severely marred by its click-bait title. The author talks about design evolving to “stakeholder centered design” (which, by the way is what service design is, and has been for decades) and concludes with “Companies may have no choice but to adopt a more expansive view of design.”
No kidding.
But this is the furthest thing from a breakup. It is a much-needed deepening and internalization of design in how organizations approach their business.
Eventually, if we are all lucky, organizational leaders will finally recognize their organization (not only what it makes) is itself essentially a design problem, comprising smaller design sub-problems, each comprising smaller engineering, operational, financial and executive sub-problems.
The corporate world still has things mostly backwards and inside out… but this seems to be slowly but steadily changing.