Category Archives: Enworldment
Protected: Hex
Returning to some enworldment design themes
I’ve said it before, but why not say it again? Take this as attention sustained for decades — as evidence of an enduring soul…
A better distinction than technology (or artifice / artificiality) versus natural is what we experience as natural versus what we experience as unnatural. That turns it into a matter of design quality. What artifice lends itself to second-naturalness, and what stays unnatural? We’ve used fire and language for so long they seem like part of nature to us. What other artifices can we add to the world to make the addition — and the world — and ourselves feel natural?
This standard, by the way, pushes Liz Sanders’s classic useful / useable / desirable framework to new levels of aspiration.
Useful is not only just having needs met. Useful means reducing or eliminating unnatural-feeling tasks required to meet our needs, or to change tasks into more natural and meaningful ones. “Do it for me, or allow me to do it myself in a less painful, more meaningful way.”
Usability is not just a matter or reducing frustrations, but also the need to figure things out at all. The goal is to make natural extensions of our thinking, our perceiving and our doing. “Afford me direct intuitive connect with the world.”
Desirability is not merely about aesthetics or entertainment, but about affirming what makes us love the world and our own lives together. “Inspire me to feel more value and more gratitude for our life.”
Pearls and Shells, reinvocation
In earlier invocations of the “Pearls and Shells” anomalogy, the pearlescent element, nacre, insulated the subject from the object and environment, and allowed these not-self beings to peacefully neighbor or environ the self.
This individuating substance was imagined to be mind: We coat whatever realities we cannot incorporate into our own selfhood with intelligibility. Mind helps us cope with not-self, also known as alterity.
The earlier anomalogy goes like this: An oyster inhabits an existence suspended between two alterities. The first alterity, the outer alterity, is the all-encompassing ocean. The second alterity, inner alterities, is whatever particles from the ocean get inside the shell with the oyster. The oyster responds to both alterities the same way. It secretes its own selfhood, its mind-nacre, and coats the offending alterity, layer upon layer, until the alterity is smooth, lustrous and undisturbing. The particles are painted smooth and round and become pearls. “Good fences make good neighbors.” Now the oyster can live side by side with these irritants, because they are comprehended with nacre. The ocean, too — the dread source of all irritants and inexhaustibly teeming with existential dangers — is coated with layer upon layer of protective nacre. It is painted on all sides, repainted, innumerable times until it is thick, smooth and protective. The oyster coats the ocean with nacre, and the inner surface of the shell, the mother-of-pearl lining makes the ocean habitable for the oyster and its treasure-house of pearls.
The nacre substance is the same in both alterities, and its function is the same — insulation, protection, self-preservation. What differs is the topology — the situating curvature. Pearls are convex and are comprehended by the oyster. The shell is concave; it comprehends the oyster. Flip your shell inside-out — that is, evert it — and you will find yourself holding a pearl. Evert a pearl, and you will find yourself held within a shell, or rather, the shell will find you held within it.
Lately, I have noticed that my thinking has moved to a new standpoint.
The next invocation of “Pearls and Shells” goes like this: Perhaps the nacre with which we paint the defining boundaries between selfhood and otherhood is not mind, but something beyond mind that conditions and enables it. Perhaps nacre is the principle of “not” — nihilitude.
Nihilitude belongs to infinitude, and is inseparable from it. Nihilitude generates and sustains finitude within infinitude, without disturbing the all-inclusive purity of infinitude with even a trace of exclusion. Indeed, exclusion of nihilitude from infinitude would be an abhorrent exclusion.
Perhaps nihilitude is the substance the ocean self-secretes into itself in order to allow a spark of itself to be an oyster, liberated to be not-the-whole-ocean, through imprisonment within a mother-of-pearl vault. The vault fills with ten-thousand pearls, each of which, touched by the oyster’s tender midas flesh, is counted among its pearly hoard.
As behind, so beyond. And so thrice-present between.
Protected: Scrappy thoughts on metanoia
Protected: As aleph, so tav
Infinity versus myriad
I’ve probably said this a zillion times, but it is worth repeating: Myriad is a pretty way to express indeterminate magnitude — uncountably many. Originally, myriad meant ten-thousand, and in pre-digital times ten-thousand was, for all practical purposes, uncountable. Computers have since blown out the limits of countability. We need something much larger, now. For this purpose, I like “zillion” quite a bit. Zillion is technically a fictional number, which pushes it beyond the limits of quantity into a quality of uncountability, and which gives it an attractive goofiness and some substantial functional advantages over myriad.
The widespread use of infinity as a quantity is, metaphysically speaking, incorrect. Infinity is beyond the domain of quantity.
What most people mean when they say “infinite” is indeterminate. But because within their particular enworldment there is no need for metaphysical infinite, it makes no internal difference.
It does, however, close off all thought that might lead beyond this understanding. But that is actually a feature, not a bug.
In third grade, when I was chain-reading every Oz book in the Morrison Elementary Library, I learned that the land of Oz was protected by the Deadly Desert. Set foot on it, you yourself dissolve into sand. Later I learned that Hades is moated by obliviating rivers, each annihilating some aspect of selfhood. In The Hero With a Thousand Faces, Joseph Campbell observed a universal pattern in myths and fairy tales of thresholds at the start and end of the hero’s journey that dissolves and reconstitutes the hero.
The hero’s journey, Campbell’s meta-myth, sheds important light on what these stories are really about: transformational experiences. They involve leaving this world, entering a new world, the hero undergoing ordeals and overcoming profound challenges that fundamentally and inwardly change the hero, and then the hero returning to this world with new insights and gifts for the people still on this side of reality.
Soul and place are intimately connected, and this is because enworldment dissolves the subject-object dichotomy. A new enworldment always entails a reborn subject, and a new subject always reenworlds itself.
But this is not a painless change. “Leaving this world” is always a kind of death and an entry into something inconceivable. Nietzsche said it beautifully, “only where there are graves are there resurrections.”
A rebirth event cannot happen within an enworldment, as a simple change of opinion or moral outlook or life trajectory. They happen across enworldments — in traversal of nihilitude that dissolves self and world together.
Rebirth is preceded by death — nihilitude — and, before that, dread, which is the existential response to intuited nihilitude, by no means limited to death. But if we confront dread and plunge into oblivion, we reemerge on the other side, in the next enworldment… ex nihilo.
Is this myriad vs infinity distinction just is a pedantic hair-split? Yes! And perhaps life as you know it depends on this remaining so. Note the note of unease behind the annyance and boredom. Also, have you checked Instagram today?
Protected: Key to “A Painter Paints a Painting of a Painter”
A Painter Paints a Painting of a Painter
A painter is painting a picture of another painter in the act of painting. The painter plans to call this piece “A Painter Paints a Painting of a Painter”.
The second painter (like the first) is holding a palette in his left hand, a brush in his right, and is standing before a canvas, and upon the canvas is his painting-in-progress.
The essential difference between these two painters (besides, of course one being the painting subject, and the other being a painted object) is that the two artists paint using different palettes.
(Neither painter is color blind. Only their palettes are limited.)
The first painter’s palette has only two colors: red and white.
What makes the second painter so fascinating and infuriating to the first — and, in fact, the entire reason he wants to paint him — is the fact that the second painter paints only in blue and black. For the first painter, this difference is a crisis, and he hopes to resolve it by capturing that difference on canvas. This is why he is painting “A Painter Paints a Painting of a Painter”.
So the first painter sets out to capture this difference — of painting in blue and black — using his own palette of red and white.
And the painting is a success. By some poetic miracle, the first painter perfectly captures the essential difference. Or at least some artists believe so. The community of painters who paint in red and white, marvel at his success.
But the second painter sees in the portrait allegedly of him, only a reflection of the first painter — certainly not himself. And his view is shared by his peers who paint in blue and black.
And here I am — palette and brush in hand — painting this fable in black, white, red and blue, which is the palette of this fable-world.
And whoever hears this fable is cursed to paint this story and the telling of this story onto their own canvas with their own palette.
The end.
From mid-ladder
If we imagine being as a ladder, we might situate ourselves at the base.
But what if we imagine ourselves elsewhere, neither at the base, nor at the top of the ladder.
Something is gained if we situate ourself at a permanent middle — metaxy, media res, thrown — with superscendent rungs always beyond the reach of our fingertips and subscendent rungs extending interminably below the soles of our feet.
No more tidy, enclosing heaven or supporting earth with humankind between. Here it is rungs and more rungs.
Wherever we climb, upward or downward, we reach from the heart — ex cord — arms above outstretched, hands groping upward to grasp whatever is graspable here, our feet below, seeking footholds, security, a supporting under-standing.
In this imagined situation, there is a point where we might climb — and we are here! — where we confuse our ideas about nature and our capacities to command and control it. Many of us were born on this rung, carved from a solid plank of a probabilistic swarm of subatomic particles. Our feet, too, were carved from this substance, and our hearts, too! We stand here, fused to our rung, groping above for the right political aspirations, oblivious to our footing.
But matter is not subatomic particles, though she might allow herself to seem so, when she feels cooperative. Matter sometimes deigns to cooperate with our laboratory play. But she reserves her right to turn on us arbitrarily, when we least expect it.
And physical matter is only one of myriad materials.
Material is any reality — physical or otherwise — that can take form, without itself being form.
And no material is pure. Any thing is a chaotic convergence of materials. And with each additional witness, materials proliferate. Instauration (revelation-creation) ex cord is difficult. Instauration ex con-cord borders on impossible. A designer knows this truth. Who else knows…?
Transcendence is not only ascension to ecstatic heights, nor penetration to fathomless depths. It does not leave or aspire to leave mundane life. It completes a circuit of behind and beyond. It stands mid-ladder, ushering lower angels upward, and higher angels downward. It circulates divine light so the bright blood bathes the tissues of matter, saturating matter with soul and form, then returns the spent light to the source for replenishment.
Chaos is not absence of meaning. Chaos is too many meanings. Chaos is hypermeaning.
Extreme white noise vanishes into blind ether, nothing-present-nothing-missing.
To a finite soul, infinity is nothingness; hypermeaning is meaningless.
The midpoint of unity and infinity is zero.
Absolute infinitude versus the infinite infinitesimals.
In the Metaxic Middle — Malkhut
in whom we are suspended
Ein Sof — Absolute Infinitude — One
meets
Shekhinah — Infinite Infinitesimals — Sparks
one spark of which is oneself
within One’s Self.
I have quite a heresy brewing here!
Craft as conversation
To be alive to craft is to converse well with materials. Good conversation is reciprocal exchange — give and take, hearing and responding — within an event of emergent meaning.
Hans-Georg Gadamer said that in the best games, players are participants through whom the game plays itself, and, similarly, Â in the best conversations, the conversation has itself through its interlocutors.
In craft, artisan and artifact, speaking a common language of materials — physical or otherwise — participate in the emergence of form.
This is your civilization on drugs. Any questions?
Postmodernism is civilization on acid.
Those bale-wire concepts that held everything together are snipped, and the whole is flying apart into mad coils of notional chaos. This wild profusion can eventually be gathered back up, after the unbound ideas release their spring energy in expansion and diffusion.Â
Ontological veils
The sefirotic garments are ontological veils. Physical veils selectively admit and deflect light, ontological veils selectively admit and deflect realities. Where a physical veil deflects light, light dims. Where an ontological veil deflects realities, those realities remain ungiven, withheld in oblivion. There is dimming, but not a darkening dimming. It is an oblivious dimming.
Blindness is not darkness. Conflation of blindness and darkness makes misleading metaphors.
Darkness conceals visibly.
Scotoma unreveals invisibly. When nothing is present, nothing is absent.
According to Etymonline, reveal / revelation comes from
revelen, “disclose, divulge, make known (supernaturally or by divine agency, as religious truth),” from Old French reveler “reveal” (14c.), from Latin revelare “reveal, uncover, disclose,” literally “unveil,” from re- “back, again,” here probably indicating “opposite of” or transition to an opposite state + velare “to cover, veil,” from velum “a veil”.
If we imagine revelation as lifting of the veil of oblivion, revelation designates an extreme of being shocked by the inconceivable — or as we say with accidental poetic precision, blindsided by something totally unexpected — then revelation loses its divine intervention overtones and becomes something at once more mundane, but also much stranger.
My first experience of radical shock, a revelation that required me to rethink everything, left me utterly underwhelmed with “supernatural” miracles. They seemed unimaginative — just suspending this or that natural law — slightly snagging the fabric of nature with mysterious arbitrariness, but leaving it more or less intact.
The revelation I received forced me to reweave nature on a vast new loom. I wasn’t even aware of the old loom, or that my old nature was woven upon a supernature.
In the domain of blindness, ocular migraines are instructive.
Designerly metaphysics
Before any beginning is infinitude.
Pure infinitude. Ein sof.
Before the beginning, the infinite articulates itself. Finitude is articulated within infinite ground, inseparable from it, like a ripple in water. Articulate finitude in infinite luminous ground. Atzilut.
At the beginning, inside the threshold of finitude, articulate infinitude defines finitude within itself, enclosing it as being, within its infinite ground, still luminous.
Finitude, inception of being. Beriah.
Within history, being articulates into beings, each a finite everything, each defining itself against what it is not, each bounding its own finite portion of infinitude within itself. The infinite ground pervades each being, but infinitude is paradoxically excluded, cloaked in nihilitude, oblivion.
For some beings, the infinite ground still glows brightly or dimly behind the oblivious cloak, numinous nothingness, alive with paradox, irony. For other beings, everything is all that there is.
From within finitude, piercing of the cloak is ex nihilo. From without, this is creation, revelation, instauration ex infinitum.
Each being bears within itself an ideal order, a schema of forms, a repertoire of possibilities and impossibilities within itself, what can and cannot be received, what ought and ought not be. This is enception: capacity to receive, to perceive, to conceive. Conversely, and just as importantly, incapacities — rejection, filtration, the maintenance of finitude-preserving oblivion.
Beings suspended in paradoxical oblivion, the ground of actuality. Yetzirah.
Each being actualizes, lives, articulates itself, defines finite beings within its being, beings actualized in myriad ways, acting upon the material ground, which is — surprise! — vestigial inarticulate infinitude, that common ground of beings, that which each being is not, but which is given.
Each being brings its own finite order to materials, its own articulations, its own capacities and abilities, its own objectivity. Each being enworlds what is given.
In the act of enworldment, materials may be persuaded to cooperate, but often they resist, and sometimes they revolt, sometimes the being breaks and must reform. Through the commonality of material, beings encounter one another, and through materials, cooperate, resist, revolt, conflict, win, lose or break.
The infinitude meets infinite in Assiyah.
The capillaries of the divine light saturate the tissues of chaos. This saturation materially forms, combines, shapes, ensouls, and sets the world in motion — literally animates it — like trees climbing themselves from the soil to meet the sun.
The light saturates the common world with meaning before returning the spent light to its source.
And for us, enmeshed in life, this spent light returning to its source, this is reflection on life, on being, on the source of being. Metaphysics is the rising smoke of spent light, piercing the roof of being, seeking its source. In its plumes can be seen rays of incoming light, and here we are told the story of Creation the only way we know it, in reverse.
Protected: Brief: Enworldment
Notes on design esoterism
Ontopologically, Beriah sur-prises what Yetzirah variously com-prises as objective content in Assiyah.
Neither Beriah nor Yetzirah is something that can be comprehended.
Yetzirah comprehends by one of myriad formational, enworlding principles. Yetzirah is not itself comprehensible, for the reason that sight cannot be seen.
Beriah comprehends (envelops) comprehension through observation of difference among enworldments, even differences across recollections of observations. Beriyah is even less comprehensible than Yetzirah, for (to make an anomalogy) Beriah is transcendent sensus communis among all possible Yetziratic enworldments, against and within the limitless Oneness of Atzilut.
And every Yetziratic enworldment is some particular social sensus communis regarding the human lifeworld.
And the human lifeworld is Assiyah — the perceptual sensus communis of human perception.
To understand all this inside-out and outside-in, backwards and forwards, to-to-bottom and bottom-to-top, and to know it by heart, soul and body, and therefore internalize and, more importantly, spontaneously externalize its pragmatic consequences, is to “suprehend” what transcends, yet grounds, comprehension.
(Suprehension is the whatless therefore of pregnant oblivion.)
Concepts concerning Beriah are not a conceptual grasp of Beriah, but derviations across differences. Another anomalogy: Light emanated within Atzilut is transmitted by Beriah, refracted through Yetzirah, then reflected upon Assiyah — and only upon reflection can a truth be grasped, indirectly.
Design esoterism seeks to dissolve the Axial regime and its domain divisions, in order to resanctify what has been secularized. Religion is disinvented, exvented. Methods are ritual. Tools are ritual objects. Organizations summon responsible collective beings.
Esoterism wants to materialize.
Lord, truly we have come to the end of this kind of vision of heaven.
Exnihilism is at the heart of it.
New ex nihilo irruptions from Beriah are preceded by intense apprehension. We let go or lose grip on our Yetziratic social sensus communis and ascend into aporia, where, on all important matters, our intuitive reach exceeds our cognitive grasp. But this loss “opens the hand of thought” so new forms can alight on our open palms — a new as-yet-solitary social sensus communis.
Dreamt awakening
Identities are the result of participation in particular forms of social life. We participate in social being, and this gives us some portion of reality as a world.
Identities enworld us, with others who also belong to the identity. They are our co-inhabitants of our enworldment, and we identify with them.
We notice our own identity most starkly in encounters with those of other identities. We sense a difference that is as important as it is hard to describe. They sense that they inhabit some other world where things are experienced and talked about and judged very differently. We categorize them, first, as different from us. As we encounter multiple forms of difference, we categorized and name categories, not only those of others, but our own.
Here is where things get tricky. While identities can be categorized, and categorizing identities can be helpful for recognizing our identity as an identity, not naively as some privileged true world — identities are not categorizations.
We do not belong to an identity simply by categorizing ourselves or being categorized by others.
And identities exist independently from categorization. We may participate in a social being without even being aware of it. And sometimes this unawareness of identity represents a naivety toward the role social being plays in how reality is given to us. Failure to recognize participatory identity results in naive realism.
Now, imagine a scenario. Imagine a social group whose members fully succumb to a category mistake that conflates identity with categorization. And imagine that participation in this social being consists of doing precisely this “identification” both of oneself and others, so that real identity — identitarian participation — recedes into the background, while identity categories are thrust into the foreground. And that background identity, the actual identity of this group devolves into a thoroughgoing naive realism… of having transcended precisely what that to which they have succumbed: a dreamt awakening.
Crossing design with Kabbalah
I’m meditating on design-related expressions I have coined. These ideas orbit a central concern, which makes the difference between a project that is for me and one that is not.
- Practical fantasy — The idea that our favorite tools project a world around us — a potential story-field — and within it, ourselves as protagonist. Within a practical fantasy tool use is an enworldment creating/sustaining ritual.
- Precision inspiration — The intentional pursuit of epiphanic re-enworldment through design research. In precision inspiration a new possibility of enworldment is found through productive conflict among existing enworldments — those researched and those doing the research. What results opens radically new possibilities for designed artifacts and the enworldments they seed and project. A key point to precision inspiration is that it inevitably involves traversing the aporic liminal void between enworldments and suffering the dread intrinsic to such traversals.
- Pluricentrism — I was calling this polycentrism, but I am now using polycentrism only to describe the emergent being of a dynamic interaction among multiple agential centers as viewed from the third-person perspective as a system. But each agent within a polycentric system still experiences and acts within the system from its own center, and this is what pluricentric means. A designer who seeks to cultivate a living polycentric system must consider it pluricentrically, so each center experiences particilation as worthwhile and chooses to participate in a way that makes the polycentric system flourish as a whole and for each and every participant. Any system approached from within from multiple points is approached pluricentrically. Service design is designed pluricentrically and engineered polycentrically.
- Enworldment — This is the projection / crystallization of reality as given to a soul in some particular faith-state, which is a stable dynamic set of enceptive capacities. Think of enworldment as the consequence of lived faith — the pragmatic maxim concretely lived out.
- Instaurationalism — This is the name for design reasoning — a reason that knows and practically accommodates the reality that reality exceeds truth, but that truth can expand its capacities if it follows reality beyond its current limits of comprehension. It is a half-joking but fully serious portmanteau of instauration (discover-creation) and rationalism.
- Synetic design — This comes from the phenomenon of synesis — or understanding as togethering. A phenomenon is spontaneously taken as together (con- + -ceived) as a gestalt, together in common with other understanders, united by common understanding.
- Bullshit-chickenshit. — This is the antithesis of practical fantasy. Bullshit is impracticable fantasy posing as an attainable possibility. Chickenshit is practice without any desirable, meaningful outcome. Most of what happens in corporations is “bullshit-coated chickenshit”. This is what is meant by the pejorative “corporate”.
Service design should, theoretically, be the greatest opportunity to do the kind of work at the heart of all these ideas.
Unfortunately, in practice, the kind of organization that needs and can afford service design is usually in crisis precisely because it misconceives its business in ways that make such work impossible. The aporic void is impassible because powerful people use power to suppress aporia and the anxiety it induces.
For the last couple of years, and especially the last year, I have been connecting these design concepts to Kabbalah.
Kabbalah gives them my design-informed ideas stability and coherence. Design experiences and the concepts and vocabulary I have developed to cope with the uncanny, unnerving and harrowing aspects of design (as well articulating the inspiring, ecstatic, fulfilling rewards of design success) provide me experience-nearness and concrete cases to substantiate otherwise abstract Kabbalistic ideas.
The enworded, enworlding artifacts are what are given in Assiyah.
The enworlding synesis happens in Yetzirah. Corporate bullshit and chickenshit happen in Yetzirah, too, when a feeble, dying Yetziratic collective (corporate) being lacks the courage to give up the ghost, and cranks out lifeless objectivity that nobody can care about or believe in. Precision inspiration is the sokution, but it is not for the faint of heart.
Polycentrism is the manifestation in Assiyah (third person) of pluricentric being (first person) in Yetzirah.
Precision inspiration transpires against the background of oblivion — from which inspiration irrupts ex nihilo in epiphanic moments of creative revelation or revelatory creativity, in other words, instauration. Radical design effects instauration ex nihilo.
The orbital center: Keter d’Beriah.
Haloed dread.
The faith in the pregnant oblivion, the everpossible miraculous birth, the heart of the exnihilist soul.
Olamot
I understand the Olamot (the four worlds) topologically.
What is given in Assiyah, the world of formation is anything that can be perceived, conceived and contained within the grasp of comprehension. This includes objective abstractions and all content of imagination. All content is Assiyah.
What is given in Yetzirah is all acts of formation — perception, conception or comprehension. Whatever subject contains objective content — however it does the containing — is Yetzirah. Yetzirah is active concavity: capacity for forming.
What is given in Beriah is the ground of differing formations. Between containments, objectivities, ontologies — between revelations of radically different enworldments — is inconceivable nonworldment, which we experience as dreadful void — abyss — from which ex nihilo revelation and creation irrupt.
What is given in Atzilut is the infinitely meaning of the absolute One, whose light floods in through whatever accepts its place within it, whatever no longer envies it and has shed its apotheotic ambitions.
Kabbalah is the practice of receiving all that is given.
Assiyah is objective, and that includes not only material objectivity (Malchut d’Assiyah) but all intentional objects, every possible object of any possible subjective operation. Only Assiyah can be thought about objectively — that is, in terms of definable objects of thought.
Yetzirah is subjective, and that includes not only (or primarily!) personal subject but all scales of subjective formation. Yetzirah is always and essentially participatory, and that participation enworlds and forms within an enworldment. Yetzirah is participatory enworlding.
Beriyah is what is given through sheer absence between enworldments. It is the ground of all enworlding and the truth of that ground, the truth that every objective world is enworlded. At its highest is the truth that between enworldment and enworldment lies dreadful, inconceivable nothingness from which enworldment proceeds ex nihilo, that something entirely beyond enworldment (enworldments, subjects and objects) is the condition of enworldment. It is, for us, the ex nihilo from which all revelation irrupts, by which we intuit creation ex nihilo.
Atzilut is the mystery beyond and behind Beriyah that transmits itself through the three lower worlds and gives worlds life and purpose and infinitude of possibility within absolute One.